| Photos (see all 10 | slideshow) | Videos (see all 8 NEW) |
| Emile Robert | ... | Young Joe Scot | |
| Daniel Craig | ... | Adult Joe Scot | |
| Julie Ordon | ... | Carrie Ann | |
| Gina Athans | ... | Apple | |
| Erich Conrad | ... | Voice of Radio DJ (voice) | |
| Eve | ... | Ophelia Franklin | |
| Emilia Fox | ... | Sister Jean | |
| Annabel Linder | ... | Dawn | |
| Angie Ruiz | ... | Priscilla | |
| Sue Dall | ... | Maitre D | |
| Mark Strong | ... | Mannie Miesel | |
| Pope Jerrod | ... | Waiter | |
| Darron Meyer | ... | Valet | |
| Harry Eden | ... | Teenage Joe Scot | |
| Max Deacon | ... | Teenage Boots McKay | |
| Olivia Williams | ... | Grace Scot | |
| Jodhi May | ... | Evelyn Adams | |
| Miriam Karlin | ... | Mrs. Rogers | |
| Mia Clifford | ... | Young Jesse Scot | |
| Jodie Tomlinson | ... | Jane Adams | |
| Helen McCrory | ... | Peggy Tickell | |
| James D'Arcy | ... | Jack Adams | |
| Alfie Allen | ... | Kevin Hubble | |
| Sid Mitchell | ... | Chillo | |
| Max Robson | ... | Max | |
| Jade Bryant | ... | Teenage Girl | |
| Felicity Jones | ... | Young Ruth | |
| Keeley Hawes | ... | Adult Jesse Scot | |
| Claire Forlani | ... | Adult Ruth | |
| rest of cast listed alphabetically: | |||
| Sid Karne | ... | Man at Bar (uncredited) | |
Directed by | |||
| Baillie Walsh | |||
Writing credits(in alphabetical order) | ||
| Baillie Walsh | writer | |
Original Music by | |||
| Richard Hartley | |||
Cinematography by | |||
| John Mathieson | |||
Film Editing by | |||
| Struan Clay | |||
Casting by | |||
| Des Hamilton | |||
| Gaby Kester | |||
Production Design by | |||
| Laurence Dorman | |||
Art Direction by | |||
| Daniel Betteridge | |||
Set Decoration by | |||
| Fred Du Preez | |||
| Shirley Lixenberg | |||
Makeup Department | |||
| Raine Edwards | .... | key hair stylist: South Africa | |
| Raine Edwards | .... | key makeup artist: South Africa | |
| Denise Kum | .... | makeup artist | |
| Donald McInnes | .... | head hair designer | |
| Donald McInnes | .... | head makeup designer | |
| Laura Schiavo | .... | key makeup artist | |
| Sophie Slotover | .... | hair trainee | |
| Sophie Slotover | .... | makeup trainee | |
| Simone Stubbs | .... | makeup artist | |
| Lian van Wyk | .... | assistant hair stylist: South Africa | |
| Lian van Wyk | .... | assistant makeup artist: South Africa | |
Production Management | |||
| Pierre Buys | .... | unit manager | |
| Meg Clark | .... | post-production supervisor | |
| Lisa Jordan | .... | post production manager | |
| Ciara McGowan | .... | production manager | |
| Deirdre Williams | .... | production manager: South Africa | |
Art Department | |||
| Will Ayres | .... | stand-by props | |
| Sacha Beattie | .... | set dresser: South Africa | |
| Maria Constantinides | .... | art department coordinator | |
| Kasey Coory | .... | construction manager | |
| Zoë Finch | .... | assistant art director | |
| Matthew Foster | .... | chargehand stand-by props | |
| Mark Hedges | .... | prop storeman: UK | |
| Egbert Kruger | .... | property master: South Africa | |
| Dougie Lankston | .... | dressing props | |
| Tom Olive | .... | set dresser: South Africa | |
| Clive Pollick | .... | construction coordinator | |
| Gigi Potter | .... | construction administrator | |
| Hannah Read | .... | assistant set decorator | |
| Robert Thorne | .... | dressing props: UK | |
| Nick Turnbull | .... | property master | |
| Liz van den Berg | .... | head scenic | |
| Claude Wittwen | .... | property buyer: South Africa | |
Sound Department | |||
| Mark Auguste | .... | supervising sound editor | |
| Sam Auguste | .... | dialogue editor | |
| Christian Bourne | .... | boom operator | |
| Paul Carr | .... | adr mixer | |
| Wayne Dodd | .... | boom operator: South Africa | |
| Craig Irving | .... | sound re-recording mixer | |
| Andrea King | .... | foley artist | |
| Conrad Kuhne | .... | sound recordist | |
| Mark Lafbery | .... | foley recordist | |
| Kevin McCue | .... | sound re-recording mixer | |
| Michael Miller | .... | adr mixer | |
| Howie Nicol | .... | sound recordist | |
| Jack Stew | .... | foley artist | |
| Chris Sturmer | .... | sound consultant: dolby | |
| Jack Whittaker | .... | foley editor | |
Special Effects by | |||
| Roly Jansen | .... | special effects supervisor | |
| Mickey Kirsten | .... | special effects supervisor | |
| Cordell McQueen | .... | pyrotechnician | |
| Vasili Rinquest | .... | special effects coordinator | |
Visual Effects by | |||
| Chris Bentley | .... | digital lab operator | |
| Tom Collier | .... | digital compositor | |
| Neil Culley | .... | digital compositor | |
| Stefan Drury | .... | head of visual effects | |
| Yanni Goudetsidis | .... | systems engineer | |
| David Margolis | .... | digital compositor | |
| Aileen McIntosh | .... | digital lab operator: Lipsync Post | |
| Kevin Phelan | .... | head of post-production: Lip Sync Post | |
| Glen Pratt | .... | visual effects supervisor | |
| Angela Rose | .... | digital compositor | |
| Abigail Scollay | .... | digital compositor | |
| Jon Stanley | .... | senior systems engineer | |
| Paul Venn Stirling | .... | digital compositor: LipSync Post | |
| Daniel Tomlinson | .... | digital lab operator | |
| Samantha Tracey | .... | visual effects coordinator | |
| Sheila Wickens | .... | digital compositor | |
| Blake Winder | .... | digital compositor: LipSync Post | |
| Dylan Wyn Owen | .... | digital compositor | |
Stunts | |||
| Graeme Crowther | .... | stunt coordinator: UK | |
| Francois Grobbelaar | .... | key stunt rigger | |
| Sid Karne | .... | stunts | |
Casting Department | |||
| Abigail Barbier | .... | adr voice casting | |
| Bonnie Lee Bouman | .... | casting director: Johannesburg | |
| Claire Catterson | .... | casting assistant | |
| Louis Elman | .... | adr voice casting | |
| Des Hamilton | .... | additional casting | |
Costume and Wardrobe Department | |||
| Tracey Berg | .... | wardrobe supervisor: South Africa | |
| Emma Bull | .... | costume assistant: UK | |
| Rae Donnelly | .... | costume buyer | |
| Claire Hardaker | .... | costume assistant: UK | |
| Nawaal Hendriks | .... | stand-by costumer | |
Editorial Department | |||
| Paul Ensby | .... | digital color timer | |
| Jim Wright | .... | first assistant editor | |
Music Department | |||
| Alison Butters | .... | music clearance | |
| Liz Gallacher | .... | music supervisor | |
| Richard Hartley | .... | conductor | |
| Robin Morrison | .... | music editor | |
| Paul Talkington | .... | music contractor | |
| Gary Thomas | .... | music engineer | |
| Alan Wilson | .... | music preparation | |
Transportation Department | |||
| Pierre Buys | .... | transport manager | |
| Nick Dunn | .... | transportation captain | |
| Brian Kelly | .... | transportation captain: UK | |
| Steve Michard | .... | driver: cast | |
| Karen Russell | .... | driver: minibus | |
Thanks | |||
| Danny Mandel | .... | many thanks | |
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| Quadrophenia | Norma Jean & Marilyn | The Young Americans | Tsotsi | Le violon rouge |
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There's a saying I heard a long time ago... "The person that's got everything has nothing" and this movie kind of explains one way of looking at it (in my opinion).
In a materialistic influenced world we live in it can be easy to fall into how believing happiness and wellbeing comes only from having all the things wealth can bring i.e. the clean cut minimalist house walking out onto the white sand overlooking a beautiful serene sea, a selection of gleaming new sports cars, the tailored clothes etc etc. But I guess for some people who have reached this place/goal in their life have focused on the goal so much that they've forgotten where they've come from and what they may have been running from.
Now what this gem of a movie does is carefully and meticulously unravel the story of a troubled man in this very situation, dealing with the daemons of his past, the spontaneous difficult decisions he had to make as a boy which has carved this stone cold embodiment of a man on the edge of existence.
Now I'm not going to break down and dissect this film and give a whole rundown on how and why I think this is a great movie but I will say this. The story of a nasty main character (amazing job from both Daniel Craig and Harry Eden) and showing the world that he lives in and lived in by slowly letting the viewer past his metaphorical protective wall while allowing the viewer to piece together how and why he is the way he is, is presented exquisitely.
I don't want to give anything away on the plot and story but I have to say there where two parts that absolutely blew me away and I'll just give you a vague hint. One involving a shot of artwork with intention of displaying a contrast of relation between the background and foreground giving an artistic viewpoint on the real subject matter (works on so many levels) and the other being a close up shot which encapsulated a lot of emotion and made my heart just drop.
all in all the whole production was done well, especially the editing (even though it's obviously apparent they had some great content to work with) and did, for me, what all great stories do, kept me entertained through demanding my full attention and rewarding that attention in the form of an emotional roller-coaster.
Last note: please try not to second guess while trying to predict what's coming next and how it ends. Just enjoy the story that is being told because it's been executed very well.
PS: I would have given this a 10 but wanted other readers to take this review seriously as I do love the art of storytelling, especially a good movie and it's unfortunate that there's too many marketing teams pushing up star ratings here on IMDb.
Thanks for reading my first review and I hope you enjoy "Flashbacks of a Fool" as much as I did.