| Photos (see all 19 | slideshow) | Videos |
| Paula Boudreau | |||
| Alexandra Cheron | ... | Anna | |
| Sean 'P. Diddy' Combs | ... | Walter Lee Younger | |
| Elle Downs | ... | Cocktail Waitress | |
| Ron C. Jones | ... | Willy | |
| Sanaa Lathan | ... | Beneatha Younger | |
| Justin Martin | ... | Travis | |
| Audra McDonald | ... | Ruth Younger | |
| Bill Nunn | ... | Bobo | |
| David Oyelowo | ... | Asagai | |
| Phylicia Rashad | ... | Lena Younger | |
| John Stamos | ... | Carl Lindner | |
| Paul Stephen | ... | North Shore Businessman | |
| Emily Swiss | ... | Priscilla | |
| Sean Patrick Thomas | ... | George | |
| Morgan Freeman | ... | Narrator (uncredited) |
Directed by | |||
| Kenny Leon | |||
Writing credits(WGA) | ||
| Paris Qualles | (teleplay) | |
| Lorraine Hansberry | (play) | |
Original Music by | |||
| Mervyn Warren | |||
Cinematography by | |||
| Ivan Strasburg | |||
Film Editing by | |||
| Melissa Kent | |||
Casting by | |||
| James Calleri | |||
Production Design by | |||
| Karen Bromley | |||
Art Direction by | |||
| Rory Cheyne | |||
Set Decoration by | |||
| Clive Thomasson | |||
Costume Design by | |||
| Gersha Phillips | |||
Makeup Department | |||
| Veronica Ciandre | .... | key hair stylist | |
| Patricia Keighran | .... | makeup department head | |
| Fina Khan | .... | hair stylist | |
| Burton J. LeBlanc | .... | makeup artist (as Burton Leblanc) | |
Production Management | |||
| John M. Eckert | .... | unit production manager | |
| Pasia Schonberg | .... | assistant production manager | |
Second Unit Director or Assistant Director | |||
| Michael Johnson | .... | assistant director | |
| Raj Singh | .... | third assistant director | |
Art Department | |||
| Jamie Burke | .... | construction coordinator | |
| Ric Fernandez | .... | head carpenter | |
| Rex Fields | .... | leadman | |
| Paul Greenberg | .... | graphic designer | |
| Jonathan Kovacs | .... | assistant property master | |
| Matthew Lammerich | .... | key scenic artist | |
| Erin Leslie | .... | assistant scenic artist | |
| Russell Moore | .... | set designer | |
| Vic Rigler | .... | property master | |
| Jaclyn Shoub | .... | set decoration buyer | |
Sound Department | |||
| Susan Cahill | .... | adr supervisor | |
| Alan Decker | .... | sound re-recording mixer | |
| Douglas Ganton | .... | sound mixer | |
| Frederick Howard | .... | supervising sound editor | |
| Amy Kane | .... | foley artist | |
| Jason McFarling | .... | boom operator | |
| Jim Thompson | .... | boom operator | |
Special Effects by | |||
| Dave Hill | .... | key special effects | |
| Martin Malivoire | .... | special effects consultant | |
Camera and Electrical Department | |||
| Pierre Berube | .... | electrician | |
| Dave Bouskill | .... | key rigging gaffer | |
| Jayson Clute | .... | first assistant camera | |
| Ciaran Copelin | .... | first assistant camera: "b" camera | |
| Gilles Corbeil | .... | camera operator: "a" camera | |
| Gilles Corbeil | .... | steadicam operator | |
| Christopher Dean | .... | key grip | |
| Anthony Ellis | .... | camera operator: "b" camera | |
| Jim Holmes | .... | best boy grip | |
| Marcel Janisse | .... | assistant camera | |
| Mike Ohorodnyk | .... | grip | |
| Ron Schroeder | .... | grip | |
| Peter Stranks | .... | still photographer | |
| Franco Tata | .... | gaffer | |
Casting Department | |||
| Jane Rogers | .... | extras casting | |
Costume and Wardrobe Department | |||
| Roslyn Hanchard | .... | assistant costume designer | |
| Karen Lee | .... | costume truck supervisor | |
| Trelawnie Mead | .... | costume dyer/breakdown | |
Editorial Department | |||
| Craig Drikis Barnikis | .... | assistant telecine colorist | |
| Trudy Yee | .... | assistant editor | |
Music Department | |||
| Joanie Diener | .... | music editor | |
Transportation Department | |||
| Brian Harney | .... | picture car coordinator | |
| Roland 'Buddy' McGrath | .... | transportation captain | |
| Bruce McLean | .... | transportation coordinator | |
| Steve Russell | .... | transportation co-captain | |
| Marco Sousa | .... | picture car captain | |
Other crew | |||
| Laurel Bresnahan | .... | set teacher | |
| Scott Brophy | .... | assistant production coordinator | |
| Connie Contardi | .... | assistant to executive producer | |
| Wayne Godfrey | .... | on-set supervisor | |
| Cynthia Graves | .... | production coordinator | |
| Mark Logan | .... | location manager | |
| Mark Nicholson | .... | production associate | |
| Esther Scannell | .... | construction accountant | |
| Warner Strauss | .... | assistant location manager | |
| Michalla Petersen | .... | voice-over artist (uncredited) | |
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P-Diddy's performance in the film is P-thetic. Apparently tired of saying the same words night after night on stage has dulled Mr. Combs into a stunned stupor to which his bland expressions and monotone delivery attest. He seems at home with "da Homies" (Willy Harris and Bobo) at "da Club"(The Green Hat) but he can't switch his New York gangsta talk with a Southside Chicago accent. The fact that Willy Harris is a dead ringer for Snoop Dog didn't help. Mama was right; Walter does look (and sound) "like somebody's hoodlum". Mama, by the way, played by Phylicia Rashad, was amazing. She looks younger than other Lena Youngers on screen which is good as Walter is only 35 so Mama is probably not the white haired old lady directors like Daniel Petrie tried to make her look. Besides the youthful look, Rashad gives a very heartfelt performance making me think that Bill Cosby did the world a disfavour by holding her back from honing her serious side. Audra McDonald, in my opinion, is the best performer in the group. As wife Ruth, she really hits home with her every emotion.When she cries, we want to cry with her although at times it seems she's just crying at the atrocious performance by her lesser half, the Puffster. Rounding out the cast is David Oyelowo as the Nigerian Asagai (Oyelowo is, himself, Nigerian) and John Stamos as a handsome Mr. Lindner (alas, the not so handsome John Fiedler is no longer available for the role). I watched this film continually thinking what heights it might have reached if someone more competent was in the Walter role. Maybe they can use Computer Generation to insert Sidney Poitier's performance. That would be great.