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31 out of 40 people found the following comment useful :-
A fitting tribute to the genius of Zizou, 1 October 2006
9/10
Author: finthebin from Glasgow, Scotland, UK

I can understand why some people would find this film rubbish, but it really is a fantastic piece of cinema if you just give it a chance.

If what you were expecting was just a montage of Zidane's finest moment this is not what you are looking for. This show's Zidane warts and all - the genius, the aggression, the skill - everything that made him the finest player of our generation.

The title of the film is so apt - it really is a portrait of football's finest "artist" in recent times. It is a little self indulgent, but the cinematography is fantastic and the soundtrack (music and sound) is incredible.

If you have any appreciation for football, Zidane, or even just artistic cinema I'd thoroughly recommend this movie.

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21 out of 26 people found the following comment useful :-
Understanding football, 16 June 2006
8/10
Author: shijin- from Switzerland

*** This comment may contain spoilers ***

There are some preliminary things to say about this film: It's not a classic documentary, like many would expect, also Zidane, reputed to be pretty reserved, doesn't give insights into his life or personality. Don't expect interviews. Don't expect commentaries. Don't expect help. If you're not a football aficionado you will very likely not like this movie. Just enjoy football in it's purest and most honest way.

Experience Zidane.

This film is more, than anyone could probably ever say about one of the greatest football players the world has seen. Incredible good close-up shots, amazing sound and image quality and a magnificent score make this film a unique experience. Most important of it all this movie gives insight in what's going on in Zidane's head during a match. Quotes of Zidane are printed in the subtitles and help you digest what you see and what you feel. The movie might seem boring at first, but apart from the great scenes one can understand why professional football is more than running and scoring goals. After seeing this movie one can understand why Zidane is such a great player, not only because of his superb technical skills, but also because he is a apt observer and coordinator. This movie makes understanding how football works achievable by those who are not complete football addicts. Supreme filming techniques and the fitting soundtrack - performed by Mogwai - make this movie an experience no one seriously into football should miss.

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19 out of 27 people found the following comment useful :-
90 minutes of Zidane, 8 October 2006
10/10
Author: Martin Togher from London, England

90 minutes of Zidane playing football, the camera on him mostly, hardly any dialogue, and the football is sort of peripheral. It was hypnotic and absorbing, like a modern dance (quite a good sound track) Zidane watching, Zidane bursting with suppressed energy and anger, Zidane running, Zidane arguing with the ref, Zidane smacking other players, Zidane being fouled.

The sound track changed constantly, the raw of the crowd, Zidane scuffing the grass with his boot, Zidane yelling, the thud of 22 pairs of football boots. He hardly talks, smiles rarely, seems to not care about the game, then suddenly does care passionately, maybe a little bit too much, as that got him into trouble at the world cup.

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16 out of 22 people found the following comment useful :-
An entertaining bore draw, 10 March 2007
5/10
Author: bobbyfletch85 from United Kingdom

Zidane, un portrait du 21e siècle offers an unusual and surprisingly thoughtful experience, providing a sense of the frustration and isolation of a legendarily talented footballer, but little more.

The film begins with a silent first 15 minutes observing Zidane's skill and movement. It feels rather like you're watching the Skysports player-cam and as such, is a little disappointing. Coupled with the initial jumping back to the perspective of a viewer watching at home, then returning back to the high quality camera POV's, it leaves you somewhat restless, as the director tries to create a hyperbole of space and reality. However, you soon become aware of the human ambiance; Zidane's heavy breathing, feet dragging on the grass like a stag before battle, the visceral crunches of hefty challenges; all creating a very tangible texture.

In a moment after the referee wrongly gives away a penalty, which the opposition score, Zidane approaches and speaks the words "You should be ashamed". Zidane's tone and presence makes this emphatic condemnation almost papal.

There are times in this film when one finds them self checking the time remaining on the DVD player. Whilst being able to appreciate Zidane's awesome touch and effortless ability, the footage is repetitive and too enclosed to really gather a true sense of Zidane's perspective. Those audiences who make it past the 15 minute mark are rewarded when Mogwai's splendid soundtrack kicks in and is complimented by Zidane's subtitled monologue. Here, you really appreciate the fact that they didn't choose an English footballer as their subject. The delicate manner in which french translates, provides a poetic and cinematic syntax. We English are very wasteful with our words and I'm sure if we were hearing David Beckham's thoughts, we would be more spurious at the lack of numerous mentions of "Obviously", "You know" and "fantastic".

At half time the film installs context to the game displaying both violently moving images together with trivial incidents apparently going on elsewhere in the world whilst the game takes place. The intriguing suggestion is that the match, tied with fate, is pointless and memorable like all things.

In truth, after this point, the film has completed it's goal and as such, drags to the finish. The camera work seems dizzying and whilst the intention is to make the viewer feel Zidane's experience, it ultimately fails. Whilst we empathise with his irritation and patience, we are not rewarded like he is, with the thrill of being on the pitch. There is an absence of space and vision, which, would truly mimic his sensation.

Zidane's exit is practically welcome when he is sent off ten minutes before the match finishes, but he leaves with a poetic sense of irony. After a game of fisticuffs, his hot head landing him in trouble like it did at World Cup 2006, we are left with an emotive sense of futility, his sending off - a metaphor for mortality, leaving the pitch to a hero's applause.

I think the film could have benefited from more subtitled speech from Zidane and with the extension of the soundtrack lasting from start to finish. But what hampers this film is it's lack of creating the true experience of space and vision in a football game, in truth, the attempt to re-create Zidane's frustration at not receiving the ball on time and having his passes clumsily lost, is overwhelmed by our frustration at the sense of claustrophobia and detachment.

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5 out of 5 people found the following comment useful :-
Has more cinematic merit than you think, 27 February 2007
7/10
Author: Cool Hand Luke from London, England

*** This comment may contain spoilers ***

Whilst I would not recommend this film to many people I still feel that what it has to offer on a purely technical level is more than many, many films out there.

Let's start with the cinematography. In charge of the look is Darius Khondji, a DOP who I feel ranks as one of the greatest of all time. His painstaking attention to detail and often uncompromising perfectionism heightened my curiosity with this film because he would have had no control over the lighting. Which is a challenge for someone who usually has every lighting rig available at his disposal. His choices were limited to equipment and film stock, as well as the angles chosen to focus on Zidane. The result is beautiful. The colours, the framing, the movement. It is impeccable and compliments the concept of the film perfectly.

Then there is the sound and music. To say this is an immersive experience is an understatement. The diegetic sound and Foley work is so vivid that you feel part of the action. It is as close to being in a stadium such as the Bernabeu without actually being there. You hear Zidane every now and again ask for the ball, call a player, mention something to the referee. And as Zidane is so quiet, when he does utter a word for some reason you are compelled. When the ref makes a howler of a decision to give the opposition a penalty he eloquently says; "You should be ashamed." It's a wonderful moment, and it is these few seconds of drama that are sprinkled throughout the 90 minutes that keep you watching.

Mogwai's score is as beautiful as everyone has said, supporting the images and saving periods of the game where little is happening.

But the centrepiece is Zidane himself. I was born in 1983 so never got to watch Platini, Pele, Best or Cruijff. I would not dare call anyone the greatest player of all time because it is such a subjective and immeasurable claim to make. But having watched football for so long, I would have no hesitation in regarding Zidane as the greatest player I have ever seen. His vision, skill, control, strength. No player of his generation has ever come close to him. I have never seen someone so relaxed on the ball. He could beat any player, and more to the point would see passes no one else on the pitch would see. And when you consider his achievements, the World Cups, the goals (in World Cup and CHampions League finals) the infamous dismissals. Hell, he has seen and done it all.

So in this game, even at the end of his playing career, he is still beating players, setting up goals, and not once did he miscontrol the ball. Which is astounding. Every ball played to him, along on the ground or in the air, whether it was perfectly weighted or dished out to him too hard and a few yards away was controlled with such deftness. I couldn't actually believe it at times.

A number of Real Madrid players were under immense scrutiny during this period in the club's history. The Galacticos (Carlos, Beckham, Raul, Ronaldo and Zidane) were not winning any trophies and the press were quick to point out their waning powers. The performances were lacklustre and many questioned their passion having won all there is to win in football. Yet in this performance all I saw was Zidane running constantly, challenging for headers, being incredibly disciplined with his tackles and positioning, ordering players to mark, constantly asking for the ball. He may not have had the pace to beat players like he once did at Juventus and his early Madrid days, but when there was space to exploit he took the opportunity.

I agree there are dull moments, but it is the nature of the beast. I think it speaks wonders that in a relatively low profile game with average passages of football Zidane can still keep you intrigued. From the way he drags the tip of his right foot along the ground as he walks to the way he looks around for other players he remains compelling viewing. There are few, if any other players who could have achieved this.

The highlight for me came towards the end of the game. For well over an hour you saw the same stern, emotionless face on Zidane. He barely reacted to being fouled, or conceding a goal, setting up a goal. But then Roberto Carlos smiled at him and made a joke that made Zidane's face light up with such a beautiful smile. It is the most endearing moment in the film that could only be captured off the wall. It is so natural and revealing that it endears you. It is a lesson to all footballers. No matter what the stakes are in football the most important thing to remember is to enjoy yourself. It is just a game after all. And with this portrait of a magician, you realise just how beautiful it can be.

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3 out of 3 people found the following comment useful :-
A 21st Century football film, 18 November 2007
10/10
Author: skarphayse from United Kingdom

I can see why people had the criticisms of this film.

Reading the title, I think most people expected a clips compilation of his best goals, assists etc. not a moving piece of cinema.

I think this was a brave and ultimately rewarding effort to examine the greatest footballer of our generation in a different way and to enable you to make up your own mind rather than a narrator explaining it for you.

Darius Khondji's cinematography was mind blowing and any of the shots of the film could have made an amazing photo in it's own right. The sound design was phenomenal and if you have fifty pro logic speakers in your sitting room then you will feel the full force of the Bernabeu and Zidane in a way that watching a football match on television never could.

The only thing I can finish with is to say this film must be watched. Mere words can't express the emotions that this film creates.

Zidane: A 21st Century Legend.

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4 out of 5 people found the following comment useful :-
Zidane was a more than great football player, but really not a good documentary subject. At least not for one with an approach such as this one., 31 October 2007
4/10
Author: Boba_Fett1138 from Groningen, The Netherlands

Just like every football fan, I have to say that Zinédine Zidane really was one of the best players of this and the last century. I would often watch a France game, purely because of Zidane and I wanted to see him do his magic. Even if the game wasn't very good and the team wasn't playing very well, Zidane would always show something special and amazing. His skill and touch was always amazing. Whenever he had the ball if was something special and you just knew something great could happen at any given moment. He doesn't look and move like a very technical player but he really was one of the most technical midfielder of the last few decades. He had a great and impressive but also very successful career, especially with his national team. Every world cup or European cup he participated in, he was one of the best players of the tournament and he won both the World- and European Cup with his country France. He played an important role in his country victories and eventual win of the tournaments, with his two goals in the 1998 finale against Brazil of course as his most memorable achievement. No way that a dumb head-but against Marco Materazzi in the 110th minute of the 2006 World Cup final against Italy, which also was his last game out of his career, should overshadow this great sportsman's career.

But as much as I adore Zidane as a player he really isn't a charismatic person or player to watch. His face doesn't ever show any emotions, which sorts of makes you wonder why the film-makers he was such a good subject for this cinematic movie-making approach. After about 30 minutes you've already had it with watching this movie. Most of the time he doesn't even run, he just walks and stands because obviously he isn't on the ball all of the time. After a while the approach of the movie becomes a real bore to watch.

It doesn't show anything of Zidane as a person and it also most certainly doesn't show anything of Zidane's qualities as a football player. Therefor what's the point of this 'documentary'? This movie only serves an artistic purpose. Although this also doesn't completely work out due to the subject Zidane. So it's a sort of vicious circle. The approach of the documentary doesn't really work out due to Zidane and Zidane isn't presented in his best or most insightful way due to the approach of the documentary. It doesn't do much credit to the exceptional great player Zidane was. On top of the, the approach from this documentary isn't even original. It was used before by German filmmaker Hellmuth Costard, for his documentary "Fußball wie noch nie", following Manchester United player George Best in real time, during a complete football match.

What was highly annoying to me was that most of the sounds were obviously put at a later stage underneath the movie. Some, if not all, sounds were obviously fabricated and recorded in a studio, even Zidane's own breathing and on pitch talking. Unless you believe he was really wearing a microphone during the match...The chanting the running on the grass, the kicking of the ball, all off these sounds sound so completely fabricated. It's like listening to a radio play at times.

Some of the trivial facts presented in this movie are really ridicules and don't serve a point at all, also not in the least because they have absolutely nothing to do with the subject of the movie.

If you want to see the qualities of a player you don't point several camera's just on his face. He should see a wider picture to get a clear view and understanding of his positioning, his passing, his control, his overview, knowing exactly the positions of your teammates and opponents, knowing when to give the right ball. After all, football is still a team sport, no matter how great as an individual you are. The game they follow him also isn't much special. It's just an average Primera Division game of Zidane's Real Madrid against Villareal, in which Zidane even gets send off with a red card before the end of the match. Also sorts of makes you wonder if the makers regret picking this one game to follow him.

Has some artistic value but overall really doesn't do enough credit to Zizou.

4/10

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5 out of 7 people found the following comment useful :-
Great Technical Achievement, 17 November 2006
9/10
Author: Dan Mason from United Kingdom

I was not entirely sure what I was about to see when going to see Zidane, for a cinema release it had to be by far the strangest pitch (no pun intended) I'd come across. Zidane is a portrait of the infamous pro footballer Zinedine Zidane and using 17 cameras follows the great player throughout a 90 minute football match. As I am not a football fan in the slightest I decided to take my ex-footballer father along to get two perspectives on the film.

The film opens with recognisable grainy poorly sounding TV footage of the match kicking off, and after a while we are presented with lush high quality visuals and sounds of the very same match. What astounded me about this film is the clarity of sound and vision throughout the film and how technically impressive it was, from the slight breathing of Zidane to the odd over awing shots of the grand stadium. This is not just an in depth look at how a great player plays but also a fantastic experiment in recording and manipulating sound and vision. Thanks to this the film puts you right there on the pitch, and with the addition of subtitles that were taken from an interview with Zidane you start to understand what the player might be thinking.

The film is also laden with different messages take for instance at half time we are shown what was happening around the world on the same day, it's a great wake up call as it makes you realise how insignificant one man and his football match is, but because of press coverage and celebrity status that match is more memorable and more important to the public than lives lost in a natural disaster.

I adored the film for its technical brilliance and the messages it seemed to send, my father loved watching a great player play up close and personal. So whether you like football or not this film is sure to interest you.

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6 out of 9 people found the following comment useful :-
Fragmented aims and delivery will detract value for even interested viewers although still leaves enough to make it worth seeing, 6 June 2007
Author: bob the moo from Birmingham, UK

On the 23rd April 2005, 22 men came out onto a rectangle of grass in front of a crowd of tens of thousands. This walk in the park was the league match between Real Madrid and Vilareal, a game that would see three goals, several bookings and three red cards before those involved were allowed to leave the grass.

Audience expectation is a terrible thing and I think it is one reason why so many viewers seemed to have similar issues with this film. Zidane etc was sold as a football film built around the concept of watching a master at work. The trailer said as much and I think a lot of people tuned in for that reason. However this is not really what the film is about because it was not really made as a portrait of the football of Zidane but rather of the art of Zidane. What this means is that the film is often quite "arty" in delivery and this actually gets in the way of the football and prevented me enjoying it consistently on this level.

At times the footage is great because it doesn't really worry about the football to the degree where all shots are wide and tell you what is happening. It gives a range of shots and, despite their grainy nature, the shots of the television for replays is useful. However I did get the impression that Gordon and Parreno were overly conscious about not just making a clever Match of the Day special and thus they did push the art aspect of the film. This is seen in the decision to show replays by filming a TV screen rather than just filming the action in a normal way and playing it back. Likewise blurry footage, fast cuts, the choice of soothing but bland score, the way that the film gets from crowd noise to babbling commentators and the subtitled thoughts of Zidane.

I found this off putting as it seemed forced and seemed to fly in the face of the fact that this was a film (not an installation), had been marketed as a football film and had been built around one of the finest footballers at the time. This is not to say that it is bad because, as an art piece of filming, these parts work well and, in their place, would be create. Just like the football stuff works well and it is only when it mixes with the art stuff that it falls down. So really it is two good projects but the reason it is only so-so is that it doesn't merge them well at all and indeed both aspects take away from one another rather than enhancing the experience.

It is quite dull at times and the lack of clear audience will be an issue. Those coming for the art side will be bored shirtless by some of the "straight" moments where Zidane is just filming making runs off the ball etc, while football fans will be frustrated by some of the filming and the maker's lack of passion for the man's role within the game. Of course having said that, this works the other way as well with, for example, the football crowd enjoying watching Zidane moving, fighting, kicking, failing, winning etc and the art crowd enjoying that aspect. Just a shame that the project could not have delivered consistently in one way (even if that one way encompassed both these factors) rather than making them feel like distinct aims.

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3 out of 5 people found the following comment useful :-
Profound Film-making That Transcends Sport, 4 June 2007
10/10
Author: burgerific from NYC

This is the most affecting, profound piece of documentary film I have seen in years. That said, it is a challenging work that doesn't fully reveal it's power until well into the viewing. As much a meditation as a film, the net effect is similar to that of watching "Winged Migration". Watching the simple, relatively unaffected actions of Zidane over the course of a match begins to work on you. I pondered politics, commercialism, world conflict, fame, economics, the media and more over the course of my first viewing. There is no easy way to encapsulate the overall feeling, the ebbs and tides experienced while watching the film, but afterward you will view the world in as if with new eyes.

It is also a masterpiece technically. I couldn't help but admire the precise and exquisite sound design and music, how they blended to the action and psychological state being portrayed to the moment. The cameras seamlessly take the viewer from sprawling, epic points of view to the most intimate. The use of subtitle without voice over narration used to portray Zidane's thoughts is nothing short of revolutionary.

This film may disappoint a soccer fan simply seeking a piece of sports entertainment, but for a lover and student of film it is groundbreaking, important work that must be seen.

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