| David Beckham | ... | Himself | |
| rest of cast listed alphabetically: | |||
| Zinédine Zidane | ... | Himself | |
Directed by | |||
| Douglas Gordon | |||
| Philippe Parreno | |||
Produced by | |||
| Sigurjon Sighvatsson | .... | producer | |
| Anna Vaney | .... | producer | |
| Victorien Vaney | .... | producer | |
Original Music by | |||
| Mogwai | |||
Cinematography by | |||
| Darius Khondji | |||
Film Editing by | |||
| Hervé Schneid | |||
Sound Department | |||
| Selim Azzazi | .... | supervising sound editor | |
| Nicolas Becker | .... | foley artist | |
| Damien Bera | .... | foley engineer | |
| Nicolas Bourgeois | .... | assistant sound editor | |
| Clément Cartallas | .... | assistant sound editor | |
| Clément Cartallas | .... | sound recordist | |
| Vincent Cosson | .... | sound re-recording mixer | |
| François Fayard | .... | sound effects editor | |
| Will Files | .... | assistant sound designer | |
| Jonathan Goc | .... | assistant sound editor | |
| Jaime Guijarro | .... | assistant sound recordist | |
| Scott Guitteau | .... | sound editor | |
| Alex Hudd | .... | sound consultant: dolby | |
| Tom Johnson | .... | sound re-recording mixer | |
| Erwan Kerzanet | .... | sound recordist | |
| Guillaume Leriche | .... | foley engineer | |
| Hubert Persat | .... | sound effects editor | |
| Cyrille Richard | .... | sound editor | |
| Randy Thom | .... | sound designer | |
| Mathieu Weber | .... | boom operator | |
| Alexandre Widmer | .... | sound editor | |
Visual Effects by | |||
| Farchad Bidgolirad | .... | research & development lead | |
| Alain Bignet | .... | digital artist | |
| Delphine Blaineau | .... | visual effects coordinator | |
| Axel Bonami | .... | digital compositor | |
| Lucie Bories | .... | digital compositor | |
| Ronan Broudin | .... | senior compositor | |
| Thibaut Damade | .... | assistant visual effects editor | |
| François Dumoulin | .... | digital artist | |
| Rip Hampton O'Neil | .... | technical director: Duboicolor | |
| Philippe Huberdeau | .... | digital compositor supervisor | |
| Abdel Ali Kassou | .... | I/O manager | |
| Abdel Ali Kassou | .... | imaging manager | |
| Yann Larochette | .... | digital compositor | |
| Emmanuel Le Courbe | .... | digital compositor | |
| Didier le Fouest | .... | digital colorist | |
| Christophe Legendre | .... | color grader | |
| Sergeï Lourié | .... | digital compositor | |
| Jacquemin Piel | .... | visual effects producer | |
| David Poulain | .... | digital compositor | |
| Ghislain Rio | .... | digital compositor | |
| Frederic Thonet | .... | visual effects producer | |
| Guillaume Carniato | .... | digital restoration (uncredited) | |
Camera and Electrical Department | |||
| Chas Bain | .... | camera operator | |
| Eric Bialas | .... | camera operator | |
| Andre Chemetoff | .... | additional assistant camera | |
| Pedro Doblado de Andres | .... | second assistant camera | |
| David M. Dunlap | .... | camera operator | |
| Roberto Fernández | .... | first assistant camera | |
| Andrés Garzas | .... | second assistant camera | |
| Javier Gómez | .... | first assistant camera | |
| Stuart Howell | .... | camera operator | |
| Sébastien Leclercq | .... | first assistant camera | |
| Joaquín Manchado | .... | camera operator | |
| Frédéric Martial-Wetter | .... | focus puller | |
| Michael McDonough | .... | camera operator | |
| Adolfo Morales 'Fofi' | .... | first assistant camera | |
| Giulio Pietromarchi | .... | camera operator | |
| Jorge Simonet | .... | camera operator | |
| Philip Sindall | .... | camera operator | |
| Gary Spratling | .... | camera operator | |
| Olly Tellett | .... | assistant camera | |
| Des Whelan | .... | camera operator | |
| Tim Wooster | .... | camera operator | |
Editorial Department | |||
| Anne-Sophie Bion | .... | additional assistant editor | |
| Enrica Gattolini | .... | first assistant editor | |
Other crew | |||
| Mercedes Barbod | .... | location manager | |
| Carmen Ruiz de Huidobro | .... | production coordinator | |
| Aditya Ezhuthachan | .... | production coordinator: Los Angeles | |
| Asia Jarzyna | .... | production assistant: Madrid | |
| Denis Pedregosa | .... | production executive | |
Thanks | |||
| Glenn Kiser | .... | special thanks | |
| Randy Thom | .... | special thanks | |
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| Fußball wie noch nie | Bend It Like Beckham | Siu lam juk kau | Männer wie wir | Mean Machine |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb France section | Add this title to MyMovies |
Let me start of by saying this isn't a film for people who don't appreciate football. If you don't like football, then this film isn't for you. Yes, it is also an art film with exceptional cinematography, but to fully understand the nature of the film, and the nature and grace of Zinedine Zidane you must at least have some interest in football.
To many, including myself, Zinedine Zidane is the nearest specimen to a perfect footballer ever seen. He has everything needed to play the beautiful game; grace, intelligence, imagination and technique. So a film about the greatest footballer of modern times couldn't go by my unnoticed. The film is far from conventional, and at times completely hypnotic, as Zidane says himself, his memories of matches are fragmented and this could easily apply to this film. It is like a mirage of images, like watching a dream. Although clips of the match on TV keep it within reality, the numerous shots of "Zizou" on the pitch are completely surreal.
To understand this film beyond its cinematography, you must, as I said appreciate football. The subtle touches of the ball; the interaction with his fellow teammates, Raul, Roberto Carlos; the very way he moves around the field could not be significant unless you understand the very nature of Zidane. The film captures the intimate moments of despair and victory and of Zidanes very thoughts. The world and mind of Zidane is brought to the viewer in an empathetic way not seen in most films. For the ninety minutes or so, we shadow Zidane, we are even Zidane.
But despite all this, the film is significantly flawed. I am probably not the first to say at times you feel completely bored, and are tired of Zidane just walking around. You feel this might have been a good idea if they hadn't of chose to show ALL 90 minutes. But they do, and at times it is completely tedious. You eventually ask yourself if you are watching the same clips on a loop, the shots are so repetitive. Granted the "second half" is a lot better, as it is eventful and Zidane comes to life for better and for worse. Though you can't help feel you just wasted 90 minutes of your life.
As a fanatic follower of football, this film just about keeps me interested, so God help anyone who wants to watch this AND is not interested in football.