IMDb user comments for
Mister Lonely (2007) More at IMDbPro »

Filter:

Best Chronological Prolific Authors Loved It Hated It Hide Spoilers:

Page 1 of 3:

[1] [2] [3]

Index

23 comments in total

---

40 out of 53 people found the following comment useful :-
This film is good, 16 March 2008

Author: buonanotte from United Kingdom

Well, I don't really understand why Mister Lonely has such a low rate on IMDb.com... I guess that if you go and see an Harmony Korine film you should expect a bit of noncontinuous plot and a considerable touch of black humour. People were laughing all the time yesterday at the cinema, actually it is pretty funny to see the Pope holding a glass of wine in his hand or simply a: man imitating Micheal Jackson riding a tiny motorcycle dragging a monkey puppet that floats in the air... This film has the finest unreal set I've ever seen in a movie (Check the plot summary too get an idea). Even if doesn't have the complexity of Dogville or American Beaty, it's a perfect representation of the eternal question "Who are we?". Are we what we represent? Are we what we try or wish to be? And finally: Is there a god? To be honest, I think that a film about this kind of stuff deserves a decent rate. Also because it is absolutely well crafted and good-looking. It has got everything Korine is all about: weirdness, uncomfortable situations, disappointment and spirituality. If you are in the mood for a proper "art" movie, check it out.

---

49 out of 81 people found the following comment useful :-
Something very different from Korine - must-see cinema!, 12 August 2007

Author: Paul Martin from Melbourne, Australia

In spite of mixed early reviews of Mister Lonely, the latest film by wunderkind Harmony Korine was not only one of the stand-out films for me at the Melbourne International Film Festival, but one of my favourites of 2007. My experience of his work to date is limited to the writing of Larry Clark's Kids and his directorial debut Gummo. The former I saw relatively recently and impressed me with its gritty realism, while the latter surprised me on its theatrical release with its bleakness.

Mister Lonely is a much more colourful film than anything associated with Korine. Its visuals (such as set design, camera angles and cinematography) are very pleasing, accentuated by its seemingly unrelated parallel narratives and absurdist premise. A Michael Jackson impersonator in France meets a Marilyn Monroe impersonator, who introduces him to a Scottish commune full of various impersonators. While superficially the film appears to be frivolous, clearly it has deeper social comments to make about identity, loneliness and alienation, issues the director has been reportedly grappling with personally.

The other narrative relates to a group of missionaries in Panama, with Werner Herzog portraying a priest, Father Umbrillo, delivering food aid by plane, assisted by various nuns. While the connection between the dual narratives is unclear, this story is strangely surreal, visually alluring and entertaining.

There is a small flat spot towards the end of the film, but for most of the film's 112 minutes, I had a big smile that was hard to wipe off my face. Charlie Chaplin, Shirley Temple, James Dean, Little Red Riding Hood, Queen Elizabeth, the Pope, The Three Stooges, Abraham Lincoln, Madonna and Buckwheat are all there.

The humour and irony are used with a clever and skillful blend of under- and over-statement. There is an underlying subtle sadness to some of the characters who, in spite of their eccentric alter egos, remain ordinary people that an audience can relate to. The film is intelligent and emotionally honest. One part is particularly close to the bone for me and brought tears to my eyes. This is Korine's most accessible and enjoyable film. It is full of originality and I highly recommend it.

---

21 out of 31 people found the following comment useful :-
Mister Lonely, 7 June 2008

Author: cultfilmfan from Canada

Mister Lonely is one of the most original films of this year, or any year and with a plot consisting of a young man who makes a living as a Michael Jackson impersonator, you would have to agree. Michael soon meets a woman who impersonates Marilyn Monroe and she invites him back to a commune in the hills where in a secluded village, everyone there lives as someone else and pretends to be them and their big delight comes from putting on talent shows for the other villages. Mister Lonely really made an impression on me when I watched it for more reasons than I can probably think of, so I will do my best to list all of them. First of all, the script and film itself is really unlike anything I have seen before because of it's original storytelling and concept. It is also one of the best looking films I have ever seen with luscious landscapes and backgrounds to gritty and natural settings as well. Whatever the film is capturing with it's lens, it looks fantastic. The performances were all right on key and the whole ensemble cast needs to be recognized for that. The film with it's music, slower pace and images of beauty and sometimes shots of absurd things going on, are shot in such a particular way and with the background music and the cinematography, I found a lot of the film to be peaceful, harmonious and quite something to behold. The story itself is an excellent character study and from my past reviews, you may be able to tell that those are the particular type of films that I enjoy. This look at characters who are unhappy with their own lives, so they have to resort to being someone else to make themselves feel significant is something I know I have dealt with in my life and I'm sure many readers of this have in their lifetime as well. The way the film dealt with these characters trying to cover up their sadness by putting on a different face and being someone else and concluding with a message that I truly found touching, inspirational and a brilliant way to end a film like this. The last part of this film, just like the rest of the film is poetic in it's style and beauty and I truly felt moved by emotions of happiness and sorrow with this film, but they were never bad feelings and were always totally appropriate to what was going on in the film. What an interesting concept of people having to be someone else in order to please themselves and what a wonderful message to get across in such a unique and creative way. Visually this film is stunning, the storytelling and pace as well as the acting all work out perfectly and create a fable that is truly one of a kind and probably has to be seen to be believed and it should definitely be seen. I know a lot of critics have not given this film all that positive reviews, but I think they missed the film's point completely because on an artistic level there is so much to admire here and if you are anything like me you are probably tired of all the same old clichéd story lines coming out of Hollywood and now we have this inventive, touching and truly unique film to come along and critics don't get it. Something is definitely wrong there. If you have ever been interested in independent, or experimental films then this film is a great place to start and for those tired of the same old Hollywood stuff that we see each week then definitely give this one a try as well. I only wished I lived in a bigger city where I got to review films like this all the time. A moving, beautiful and completely artistic overwhelming treat for your mind and eyes, Mister Lonely is the best film I have seen so far this year and one of the most important films of this decade, or any decade and deserves to be seen and studied by film students and film buffs for years to come. A wonderful achievement.

---

7 out of 11 people found the following comment useful :-
Bright Moments in a Patchy Film, 29 November 2008

Author: gradyharp from United States

MISTER LONELY is that sort of film that pleads to be loved. It has an original concept for a plot, it takes many visual and surreal chances, and it is populated with a lovable cast who seem to be having fun with the process. Harmony Korine both wrote (with Avi Korine) and directed this pastiche about people who, frustrated with reality, live their lives as impersonators of famous people. When it works it is delightful: when it gets bogged down with a self-conscious script it falls flat.

'Mister Lonely' (beautifully depicted in the opening sequences under the credits as a child who cannot be what he is told to be) is a young man who takes on the persona of Michael Jackson (Diego Luna), performing dance movements on the streets of Paris as a busker. He encounters a like person who lives impersonating Marilyn Monroe (Samantha Morton) and before long the two are off to a Highlands commune in Scotland, populated with full time impersonators such as a foul-mouthed Abraham Lincoln (Richard Strange), Charlie Chaplin (Denis Lavant), The Pope (James Fox), Father Umbrillo (Werner Herzog), Sammy Davis, Jr. (Jason Pennycooke), the current Queen Elizabeth (Anita Palenberg), Little Red Riding Hood (Rachel Korine), James Dean (Joseph Morgan), Madonna (Melita Morgan), and flying nuns among others. The story is less a plot than a celebration touched with a bit a angst of how the unnoticed people in the world find a source of belonging by embracing imagination.

The film is choppy and loses some of its potential allure from the editing. The cinematography by Marcel Zyskind captures some truly beautiful moments and the musical score by Jason Spaceman with the Sun City Girls adds a lyrical air to this surreal romp. For lovers of Harmony Korine this movie will please. For viewers with limited attention spans (running time is 112 minutes) the film begs indulgence. Grady Harp

---

2 out of 2 people found the following comment useful :-
Korine's latest has a likable quality to it, the actors are on mark... but something is "off", 30 December 2008

Author: MisterWhiplash from United States

*** This comment may contain spoilers ***

Harmony Korine - he strips the audience into camps that get ravenous at each other. I remember being in film school and knowing people who *loved* Gummo, loved it to death (one girl even did an homage picture of herself like the one boy with his face turns to the side in profile), and would defend it with... I don't know what logic, that (in good argument) that Korine had a vision, that he had a great eye at such a young age (21 or 22) at the outcasts of the world. Fine. Then on the other camp, people *hated* the work of him, couldn't stand it, couldn't get it. Understandable as well: Gummo is, I should add, a freak-show, Jerry Springer shot with the camera of Sven Nykvist on holiday. As for Julien Donkey Boy, well, that's a whole other story.

The reason perhaps that I have a whole paragraph about Korine's reputation is that Mister Lonely, his latest film, is also his first in over eight years. Whatever it was that spurred him and his brother Avi to get to work on this after such a hiatus from the director's chair is beyond me, but it is admittedly nothing else if not fascinating - both in how it works wonders and charms and, frankly, how it can bore and act like it's God's gift to the lives of celebrity impersonators. It's the kind of film where things happen but they kind of don't at the same time; it has Michael Jackson (Diego Luna) and Marilyn Monroe (Samantha Morton) meet in Paris, Monroe takes Michael to a Scottish castle where a family of celebrity impersonators (i.e. Chaplin, Stooges, Buckwheat, the Pope, the Queen) all are gathered to do... what? Well, put on a show for the locals, perhaps, even if they don't show up much, at all.

And in the meantime, Werner Herzog - yes, Werner Herzog, stay tuned - is in the picture as a Latin American priest who has a plane full of nuns dropping rice on villagers and then, shock of shocks, one of the nun falls out of the plane and can fly. This may be, for me, one of the only times I can remember when Herzog has been not used to his full potential on screen. Perhaps there's a symbolic/Christian/belief connection that I did not get at all, but the rhythm of film-making that Korine had suddenly would shift gears every so often to this unrelated-to-the-celebrity-people to Herzog and the nuns (at one point Herzog, with big goggle/glasses on, rambles on camera about this or that, which usually is enormously gratifying but here is not), and it's as if we're plopped into one of Herzog's docu-fiction films filled with ecstatic truth. This would be fine - if there was *more* of this throughout the film, which there isn't (I'd say %10 of the running time has Herzog and/or flying nuns), or if they had been used for a whole other project and Korine had focused on just the family of celebrities.

And yet, it's hard for me not to recommend the picture on some gut-level. There is invention here, and daring, and some kind of intuition with a personal aesthetic that makes Mister Lonely come alive in some unpredictable ways. But on the flip-side to Korine's inspirational coin are some hard truths to face: he finds all of this so self-important, so much like we're seeing something that we *must* find amazing and deep that he gets ahead of his own material. Some scenes end up rambling, others like Marilyn Monroe dancing slowly to herself and then it fading to black and the words "Thriller" streaming across the scene are beautiful and totally perplexing and pretentious in one fell swoop. There's also something of an easy out with the tragic part after the big performance is given (I wont mention it as it is a good spoiler), and it too leads to a conclusion that has some meaning but not enough. Some of this is very funny (hard not to laugh at cussing Abe Lincoln or smelly Pope), some of it weird in a good way... and some of it may make you wonder why you rented it in the first place.

Again, as with Gummo, Mister Lonely will divide it's audience (frankly, I'm sort of divided among my own thoughts), but if you need that challenge of a director saying "this is what celebrity, the idea of being someone or doing something you care about that has f***-all to do with the rest of 'ordinary' humanity", or just some remarkable cinematography with art-house tattooed on its eyelids, check it out. If it's a disappointment, it was worth a shot. And if it's the best movie of the year, well, more power to you.

---

4 out of 6 people found the following comment useful :-
Korine quirky poetry worth the effort, 1 September 2008

Author: (tjackson@rcn.com) from Boston. MA

Since no one makes movies like Harmony Korine, I'm not sure what the standard for critique is. So suffice to say it's really beautiful, unsettling, rambling, and actually kind of spiritual. Love his movies or not he is an honest filmmaker with a true sense of the surreal and the poetry that lurks in the strangest details. The casting is brilliant and the structure unique and pure Korine. The premise is the wacky goings on at a retreat for celebrity and historical impersonators tucked away in (where?) the Scottish Highlands. They are rehearsing a "play" of some kind. It makes for some beautiful moments.

This story is told against another story of nuns who want to jump without parachutes from an airplane to prove the possibility of miracles (as legend claims did happen once) Needless to say this has ripe opportunities,especially when you have Werner Herzog playing the pilot. (Korine says the scene with the man waiting for his wife to return to the airport is an actual caught conversation. THIS you have to see to believe). At the screening I attended, an very odd fan's comment to Korine was simply; "Nuns floating dead on a beach. Awesome image man.Dude you rock". Korine says the two stories are really the same thing. Hmmm - I guess so.

Putting the great, great Samantha Morton together with Herzog, Richard Strange, Leos Carax (Pola X), Anita Pallenberg, Diego Luna, and James Fox - matches any casting coup by John Waters. The story may be criticized as forced and ridiculous, but Korine is willing to take bold chances, to mix it up and. with the help of great actors and wonderful cinematography he create of a work of real cinema poetry.

---

13 out of 24 people found the following comment useful :-
Simply, or not so simply, delightful, 12 May 2008

Author: agmccrea from United States

Criticising Harmony Korine for failing to provide a "story," as at least one reviewer here does, is like complaining that Kurt Vonnegut didn't write soap operas. Perhaps these people ought to confine themselves to commenting on things they understand. While Mister Lonely is no Gummo (imho one of the greatest films ever made), it is enthralling. It is radically different from anything else Korine has done: full of whimsy and color, humor and peculiar optimism. It is a mark of his genius that he is able to pull off something so profoundly different from his earlier work. Yet it retains his signature. Casting Werner Herzog as the priest was particularly inspired.

---

22 out of 42 people found the following comment useful :-
a breath of fresh air from the nostrils of zeus?, 25 March 2008

Author: Chris Docker (eyeforfilm) from Scotland, United Kingdom

A mask can be a disguise or an aspiration. An instrument of ritual. An imitation of greater hopes, that we might become more like our image. Magical, incantatory. The earliest theory of art itself, as Susan Sontag has pointed out, is one of mimesis, an imitation of reality (or 'a reality').

Who doesn't know that feeling, after putting on a new suit and tie, or perfecting one's make-up. Feeling like a new person. Going out to face the world with refreshed persona. Thomas Carlyle, that great Scottish author of Heroes and Superheroes, champion of the value of role models, suggested that, "A man lives by believing something." By believing in something we can become more than what we are, or become a different type of person. Or we can simply find ourselves out of place, wearing a suit that doesn't fit. Pretending to be someone we're not.

Mister Lonely has two main threads. There is Diego Luna – best known for his great performance in Y Tu Mamá También – who is a Michael Jackson impersonator and hangs out with other impersonators. Then there is Werner Herzog – best known for his work behind the camera – who leads a troupe of nuns in Africa. The impersonators stay in character 24 hrs a day. They include Samantha Morton as Marilyn Monroe (in an awesome dress by celebrated fashion designer agnès b.) and other people impersonating the likes of Charlie Chaplin, James Dean and Abe Lincoln (we never learn the characters' real names).

If you haven't twigged the connection, perhaps you are familiar with some devout Christians who ask themselves, in a difficult situation, "What would Jesus do?" That maybe works better as a role model in determining a moral dilemma than it would, say, if the answer might involve walking on water. And while impersonators might do well in street theatre, how excited would you be to see the 'Greatest Show on Earth' that starred not Michael, Charlie or HM the Queen but . . . impersonators? I can't tell you more about the story without giving away the ending, which again points up the similarity of inspiration and obsession in both narratives but, if you are a lover of quirky cinema, Mister Lonely might well be for you.

Mister Lonely has quirky written all over it. It is directed by Harmony Korine, who won awards for his Dogme95 feature, Julien Donkey-Boy, and for his screenplay for Larry Clark's Kids. Korine once tried to make a film by engaging random people in actual street fights - until he was hospitalised. Something to do with being prepared to die for his art. He seems interested in mental illness, dysfunctional childhoods, symbolism, and an innovative approached to film. Hopefully that will put off people who don't like films like that. Indeed, Mister Lonely can easily be read as disconnected and insubstantial if you like more solid fare.

Mister Lonely is deeply original, strange and yet accessible. There are points of touching emotion – in an old people's home, for instance, as Michael and Marilyn evoke unfeigned warmth from what are most probably non-actors. Then there is the threefold face – the actor, the character and the impersonation – and we search for the glimmers of sadness or the 'real person' behind the manufactured facade. As they strive never to act in any way other than their alter-egos, it forms a tender bond with the audience when their feelings become apparent.

I particularly enjoyed Samantha Morton's performance. I had never been a big fan of her early work, but she seems to have injected new life and vigour into every project she has tackled since her reported stroke in 2006. Although she was always a competent actress, it is her work in films such as this, or Control, that has moved me to the core and left me speechless. It is as if she has somehow scaled the heights of her own aspiration as an actress and achieves something that is beyond her own mortal limits.

---

1 out of 1 people found the following comment useful :-
Basking in glow of it., 20 May 2009

Author: jbels from Chicago

Just got through watching this and had to comment on how wonderful it is. I am a big fan of Harmony Korine but if I hadn't known he had made this, I would have never guessed it was his film (I probably would have guessed John Sayles first).

So many amazing sequences in this film--the first Flying Nun sequence is unbelievable and I cannot get it out of my mind, brilliantly edited. The "Singing Egg" sequence almost had me crying and I don't normally get choked up. The stage show was also very poignant. And Werner Herzog's performance was pitch perfect.

I normally don't gush over movies, but Mister Lonely was so original, I need to gush. My one peccadillo? Not sure the title fits the movie.

(P.S. I hate critics and the ones on Rotten Tomatoes who called this a chore to sit through suck the most).

---

Just watch it!, 12 July 2009

Author: Kevin =) from Does it care?

Mister Lonely is a good, funny and thoughtful film. I didn't know what I was expecting for, but this movie completely filled my expectations.

Maybe the whole movie is just 'good', but there are brilliant moments in the film. The cinematography was great, the music too. The plot is interesting, and the most of the time, the script is good, but sometimes you could feel underrated. The edition could be better. There are two mainly plots and in the end, you don't get very well what was the relation. And the ending is awesome.

As I said, the movie is not perfect, but, it worth the cost of your ticket, I swear it.

You should watch this film. Just do it.

---

---

Page 1 of 3:

[1] [2] [3]

Add another comment

---

Related Links

Ratings	External reviews	Official site
Plot keywords	Main details	Your user comments
Your vote history