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Directed by | |||
| Harmony Korine | |||
Writing credits | ||
| Harmony Korine | (written by) & | |
| Avi Korine | (written by) | |
Original Music by | |||
| Jason Spaceman | |||
| The Sun City Girls | |||
Cinematography by | |||
| Marcel Zyskind | |||
Film Editing by | |||
| Valdís Óskarsdóttir | |||
| Paul Zucker | |||
Casting by | |||
| Sarah Crowe | |||
Production Design by | |||
| Richard Campling | |||
Art Direction by | |||
| Johnny Campling | |||
Costume Design by | |||
| Judy Shrewsbury | |||
Makeup Department | |||
| Jo Allen | .... | hair designer | |
| Jo Allen | .... | makeup designer | |
| Mark English | .... | hair stylist | |
Production Management | |||
| Dean O'Toole | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Sonia Delhaye | .... | trainee assistant director | |
| James Hagger | .... | first assistant director | |
| Anna Sheldrake | .... | second assistant director | |
Art Department | |||
| Robert Crewe | .... | construction manager | |
| Josh Fifarek | .... | set designer | |
| Alex Raine | .... | assistant art director | |
| Lee Whiteman | .... | props | |
| Lee Whiteman | .... | scenic artist | |
Sound Department | |||
| Julie Ankerson | .... | foley artist | |
| Vincent Arnardi | .... | sound re-recording mixer | |
| Tim Barker | .... | sound recordist: Panama crew | |
| Thomas Bernard | .... | sound recordist | |
| Ben Brazier | .... | sound editor | |
| Simon Bysshe | .... | playback operator | |
| Simon Bysshe | .... | sound assistant | |
| Adam Davidson | .... | adr recordist | |
| Jamie Gambell | .... | sound mixer | |
| Loïc Gourbe | .... | sound recordist | |
| Ben Greaves | .... | boom operator | |
| Mathew Knights | .... | sound re-recording mixer | |
| Julien Perez | .... | sound re-recording mixer | |
| Bruno Seznec | .... | mastering | |
| Anna Sulley | .... | sound effects editor | |
Visual Effects by | |||
| Paul Beard | .... | visual effects line producer | |
| Simon Carr | .... | visual effects design: Men-from-Mars | |
| Adam Christopher | .... | digital colourist | |
| Emma Clifton | .... | digital effects artist | |
| Harriet Donington | .... | visual effects producer | |
| Simon Frame | .... | visual effects supervisor | |
| Lionel Heath | .... | compositor: Men from Mars | |
| Rick Leach | .... | rotoscoper | |
| Tom Pegg | .... | digital effects artist | |
Camera and Electrical Department | |||
| Jens Lund-Larsen | .... | best boy | |
| Richard Miles | .... | electrician | |
| Jacob Østergaard | .... | gaffer | |
| Brent Stewart | .... | photographer | |
| Juergen Teller | .... | photographer | |
| Simon Tindall | .... | first assistant camera | |
Casting Department | |||
| Cassandra King | .... | casting associate | |
Costume and Wardrobe Department | |||
| Alan Flyng | .... | costume supervisor | |
Editorial Department | |||
| Andrew Haigh | .... | first assistant editor | |
| Jamie Rogers | .... | trainee assistant editor | |
| Matthew Streatfield | .... | assistant editor | |
| Alex Panton | .... | digital intermediate producer (uncredited) | |
Music Department | |||
| Liz Gallacher | .... | music supervisor | |
Other crew | |||
| Freya Beales | .... | production assistant | |
| Laure Bregevin | .... | script supervisor: UK and France | |
| Catia Di Giorgio | .... | production coordinator | |
| Samantha Gardner | .... | production secretary | |
| Paul Harris | .... | choreographer | |
| Richard Lormand | .... | unit publicist | |
| Richard McNeill | .... | production accountant | |
| Sylvia Parker | .... | script supervisor | |
| Manuel Pouet | .... | location scout | |
| Tracey Taylor | .... | assistant post-production accountant (uncredited) | |
Thanks | |||
| Abner Benaim | .... | special thanks | |
| Laura De Casto | .... | very special thanks | |
| Joshua Elrod | .... | special thanks (as Elbone) | |
| Alainée Kent | .... | special thanks | |
| Alexandra Stone | .... | thanks | |
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| Die Blechtrommel | The Pillow Book | My Own Private Idaho | 8½ | La science des rêves |
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Since no one makes movies like Harmony Korine, I'm not sure what the standard for critique is. So suffice to say it's really beautiful, unsettling, rambling, and actually kind of spiritual. Love his movies or not he is an honest filmmaker with a true sense of the surreal and the poetry that lurks in the strangest details. The casting is brilliant and the structure unique and pure Korine. The premise is the wacky goings on at a retreat for celebrity and historical impersonators tucked away in (where?) the Scottish Highlands. They are rehearsing a "play" of some kind. It makes for some beautiful moments.
This story is told against another story of nuns who want to jump without parachutes from an airplane to prove the possibility of miracles (as legend claims did happen once) Needless to say this has ripe opportunities,especially when you have Werner Herzog playing the pilot. (Korine says the scene with the man waiting for his wife to return to the airport is an actual caught conversation. THIS you have to see to believe). At the screening I attended, an very odd fan's comment to Korine was simply; "Nuns floating dead on a beach. Awesome image man.Dude you rock". Korine says the two stories are really the same thing. Hmmm - I guess so.
Putting the great, great Samantha Morton together with Herzog, Richard Strange, Leos Carax (Pola X), Anita Pallenberg, Diego Luna, and James Fox - matches any casting coup by John Waters. The story may be criticized as forced and ridiculous, but Korine is willing to take bold chances, to mix it up and. with the help of great actors and wonderful cinematography he create of a work of real cinema poetry.