On My Name is Earl, I can’t help but notice that Catalina, the illegal alien who cleans a hotel,” is quite intelligent and well-spoken. This is a very positive portrayal of a Latin American woman in TV. She’s not just the illegal sassy Latin-American sidekick. In tonight’s episode, Joy is confiding to Catalina about a relationship she had with a store manager of Target or something like that because of the discount she get on audio cassettes. When Catalina asks, “You slept with a guy just because of tape decks?” Joy replies, “Well, it was before CDs were invented.” Then Catalina says, “Wait! Didn’t CDs come out in 198-,” before Joy cuts her off in embarrassment. OK, let’s take a moment to consider this: Catallina knew offhand the exact year in which CDs came out and cross-referenced it to Joy’s age to conclude that she was having sex at a really young age. That’s actually pretty hard.


It’s a really small moment, but it is a great one for the positive portrayal of Hispanic people on screen, made all the more remarkable by the fact that My Name is Earl, like most comedies, is a show all about stupid people: Sublimely dumb people who think Karma was created by Carson Daly, and while Catalina has some of that charming stupidity in her (in one episode she said she thought God was a homeless man with an iguana or something), she’s also intelligent and resourceful and has turned out to amount to more than the sum of her initial character traits.


Right now, Ugly Betty is being celebrated for its positive portrayal of Latin American Immigrants amid the Immigration Debate. America Ferrarra’s character and its symbolic ramifications has been written about everywhere from Time Magazine to Newsweek and she was even honored in the congressional records when a member of the House proposed or created a resolution (I don’t know which) honoring her. But it’s often the small things that make a difference in racial perceptions.


Do you think I’m making too big a deal of a small moment? Well, I’m reminded of the textbook I read for my first film class: “Reel to Reel: Sex, Race, and Class at the Movies.” She writes about a very small moment in a film and how that helped destroy a stereotype: “I imagine all the myriad ways in which conventional representations of black people could be disrupted by experimentation. I am equally moved by that moment in Jim Jarmusch’s Mystery Train when the young Japanese couple arrive in the train station in Memphis only to encounter what appears to be a homeless black man, a drifter, but who turns to them and speaks in Japanese. The interaction takes only a moment, but it deconstructs and expresses so much. It reminds us that appearances are deceiving. It made me think about black men as travelers, about black men who fight in armies around the world. This filmic moment challenges our perceptions of blackness by engaging in a process of defamiliarization (the taking of a familiar image and depicting it in such a way that we look at it differently).”


She even goes on to make a strong parallel to my Ugly Betty-My Name is Earl connection by comparing Jim Jarmusch to Quentin Tarantino, the latter of who got more attention for his supposedly “progressive” work.

Disclaimer: This poster does not place as much importance as others on correct spelling