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The Assassination of Jesse James by the Coward Robert Ford (2007)
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Overview
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View company contact information for The Assassination of Jesse James by the Coward Robert Ford on IMDbPro.Release Date:
10 October 2007 (France) moreTagline:
Beyond the myth lies America's greatest betrayal.Plot:
Robert Ford, who's idolized Jesse James since childhood, tries hard to join the reforming gang of the Missouri outlaw, but gradually becomes resentful of the bandit leader. full summary | full synopsisAwards:
Nominated for 2 Oscars. Another 12 wins & 19 nominations moreNewsDesk:
(88 articles)
New Extended Trailer for ‘The Killer Inside Me’ (From The Flickcast. 6 November 2009, 2:30 PM, PST)
Michael Winterbottom’s The Killer Inside Me Trailer Starring Casey Affleck
(From FilmJunk. 6 November 2009, 11:34 AM, PST)
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The Expectation of Applause more (304 total)Cast
(Cast overview, first billed only)| Brad Pitt | ... | Jesse James | |
| Mary-Louise Parker | ... | Zee James | |
| Brooklynn Proulx | ... | Mary James | |
| Dustin Bollinger | ... | Tim James | |
| Casey Affleck | ... | Robert Ford | |
| Sam Rockwell | ... | Charley Ford | |
| Jeremy Renner | ... | Wood Hite | |
| Sam Shepard | ... | Frank James | |
| Garret Dillahunt | ... | Ed Miller | |
| Paul Schneider | ... | Dick Liddil | |
| Joel McNichol | ... | Express Messenger | |
| James Defelice | ... | Baggagemaster (as James DeFelice) | |
| J.C. Roberts | ... | Engineer | |
| Darrell Orydzuk | ... | Ukranian Train Passenger | |
| Jonathan Erich Drachenberg | ... | Young Train Passenger |
Additional Details
Also Known As:
L'assassinat de Jesse James par le lâche Robert Ford (Canada: French title)The Assassination of Jesse James (USA) (short title)
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MPAA:
Rated R for some strong violence and brief sexual references.Parents Guide:
View content advisory for parentsRuntime:
160 minColor:
ColorAspect Ratio:
2.35 : 1 moreCertification:
USA:R | Canada:14A | Finland:K-15 | Ireland:15A | Australia:MA | Netherlands:16 | Switzerland:12 (canton of Vaud) | Switzerland:12 (canton of Geneva) | Taiwan:R-18 | Germany:12 | Brazil:14 | Argentina:13 | Singapore:NC-16 | Japan:PG-12 | Sweden:15 | Philippines:PG-13 (MTRCB) | Portugal:M/12 (Qualidade) | UK:15 | South Korea:15Fun Stuff
Trivia:
In the saloon scene, the "minstrel" was singing a memorial to Jesse James. The lyrics to that "song" no one person ever claimed to have written. The poem that was developed from the written lyrics of this song became "The Ballad of Jesse James". moreGoofs:
Plot holes: At the end of the film, we see Robert Ford in his saloon / dance hall, Ford's Exchange, which is an actual building. When he is shot soon after by Edward O'Kelley, again in his own establishment, it is suddenly a tent saloon. Perhaps due to editing, it is not explained that this is a temporary location Ford operated out of while waiting to rebuild the dance hall seen earlier - it had been destroyed in a fire that ravaged Creede, Colorado's downtown area three days before Ford was killed. moreQuotes:
[first lines]Narrator: He was growing into middle age, and was living then in a bungalow on Woodland Avenue. He installed himself in a rocking chair and smoked a cigar down in the evenings as his wife wiped her pink hands on an apron and reported happily on their two children...
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Soundtrack:
A Bird in a Gilded Cage moreFAQ
Why such a long name?Why was Sam Shepard cast as the 38-year-old Frank James?
Why was it postponed for so long?
more
more (304 total)
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"The Assassination of Jesse James by the Coward Robert Ford" is a handsomely mounted, film-school like study of the last days of the infamous James' Gang by director Andrew Dominik. Growing up in awe of Jesse James (Brad Pitt), Robert Ford (Casey Affleck) finally gets to live out his dream of living side by side with his idol when his brother, Charles (Sam Rockwell) joins the gang. Young Robert quickly learns that the exploits of the murderous train-robbers are far from the exciting flights of fancy he grew up reading about in newspapers and dime-store novels. A series of cowardly acts in the wake of double-crossings and humiliations ultimately lead to the titular event.
The style of the film is often visually arresting and downright disturbing, especially in the acts of violence, which leave the most gruesome parts slightly off camera, but are frequently shot and framed in such a way as to maximize shock value and leave an uncomfortable feeling of tension in the theater seats. Dominik sometimes relies too heavily on voice-over narration torn straight from the book upon which the film is based leaving us to assume that aside from dreadfully beautiful photography of passing clouds and desolate Midwestern landscapes, he wasn't always sure how he visually wanted to tell the story. This leads to a sometimes snails' pace as the plot unfolds, though the haunting Oscar-worthy cinematography from Roger Deakins and mesmerizing music score from Nick Cave and Warren Ellis eventually get under your skin even as the hands of the clock seem to move slower as if stuck in a pretty photograph of a nightmare.
The acting in the film is superb from all involved. However, the performances often blur the line between caricatured scenery-chewing and emotional nuance (especially from Pitt and Rockwell). While there is some entertainment to be found in the lighter scenes of camaraderie amongst the gang members, the audience never really feels anything for the characters aside from sharing their sense of paranoia and fear knowing that around any corner someone will be betrayed and shot. The film also suffers from some scene stealing cameos from James Carville as the governor hell-bent on catching Jesse and the otherwise lovely Zooey Deschanel, who appears out of nowhere for a few moments about ten minutes after the film should have rightfully ended.
When the credits finally rolled, I wasn't sure what to make of the film. There's some unforgettable imagery (my personal favorite being the almost surreal depiction of the cloth-masked robbers waiting in the dark woods as the train comes roaring down the tracks), and many commendable artistic elements to be found in the film. If the idea was to leave the audience feeling the era showcased was a tension-riddled and violently lonely existence, then the film succeeded wonderfully. Those seeking a more pure entertainment will most assuredly be left stressed and stretched to their limits.