at SnagFilms

| Photos (see all 2 | slideshow) | Videos (see all 2) |
| Townes van Zandt | ... | Himself (archive footage) | |
| Joe Ely | ... | Himself | |
| Guy Clark | ... | Himself | |
| Willie Nelson | ... | Himself | |
| Kris Kristofferson | ... | Himself | |
| Donna Spence | ... | Herself | |
| Ann Rice | ... | Herself | |
| Luke Sharpe | ... | Himself | |
| John Ruehl | ... | Himself | |
| Bob 'Maverick' Myrick | ... | Himself | |
| Frank 'Chito' Greer | ... | Himself | |
| Fran Lohr | ... | Herself | |
| Jerry Jeff Walker | ... | Himself | |
| Kevin Eggers | ... | Himself | |
| Wrecks Bell | ... | Himself | |
| David Olney | ... | Himself | |
| J.T. Van Zandt | ... | Himself | |
| Steve Earle | ... | Himself | |
| Susanna Clark | ... | Herself | |
| Peggy Underwood | ... | Herself | |
| Leland Waddell | ... | Himself | |
| Cindy Van Zandt Lindgram | ... | Herself | |
| Katie Belle Van Zandt | ... | Herself | |
| Mickey White | ... | Himself | |
| John Lomax III | ... | Himself | |
| Harold Eggers | ... | Himself | |
| Will Van Zandt | ... | Himself | |
| Jeanene Van Zandt | ... | Herself | |
| Dylan Ferrero | ... | Himself | |
| Kinky Friedman | ... | Himself | |
| Emmylou Harris | ... | Herself | |
| Bob Moore | ... | Himself | |
| Steve Shelley | ... | Himself | |
| Tim Foljahn | ... | Himself | |
| Larry Monroe | ... | Himself | |
| Lyle Lovett | ... | Himself | |
| William Hedgepeth | ... | Himself (archive sound) | |
| rest of cast listed alphabetically: | |||
| Lightnin Hopkins | ... | Himself (archive footage) (as Lightnin' Hopkins) | |
Directed by | |||
| Margaret Brown | |||
Produced by | |||
| Louis Black | .... | executive producer | |
| Margaret Brown | .... | producer | |
| Sam Brumbaugh | .... | producer | |
| Lisa Cohen | .... | producer: imaging | |
| Jannat Gargi | .... | producer: imaging | |
| K. Lynn Martin | .... | associate producer (as Lynn Martin) | |
| Chris Mattsson | .... | executive producer | |
| Ellen Naegeli | .... | associate producer | |
| Lecia Rosenthal | .... | associate producer | |
| Amy Shatsky-Gambrill | .... | associate producer (as Amy Shatsky) | |
| Paul Stekler | .... | executive producer | |
Cinematography by | |||
| Lee Daniel | |||
Film Editing by | |||
| Don Howard | |||
| Karen Skloss | |||
| Michael Taylor | |||
Production Management | |||
| Alka Bhanot | .... | post-production supervisor | |
| Dawn Cooper | .... | production manager | |
| David Fabelo | .... | post-production supervisor | |
| Jeff Nichols | .... | production manager | |
Sound Department | |||
| Ethan Andrus | .... | location sound | |
| Wayne Bell | .... | location sound | |
| Tom Hammond | .... | sound re-recording mixer | |
| Alex Herrera | .... | location sound | |
| Bob Kellough | .... | sound editor | |
| Dennis Meehan | .... | location sound | |
| Thomas Morrison | .... | location sound | |
| Mike Swanner | .... | location sound | |
| Buckner Cooke | .... | sound mixer (uncredited) | |
Visual Effects by | |||
| Lee Daniel | .... | optical printer | |
Camera and Electrical Department | |||
| Frazer Bradshaw | .... | additional cinematographer | |
| Sam Henriques | .... | additional camerawork | |
| David Layton | .... | additional camerawork | |
| David Layton | .... | assistant camera | |
| David McGrath | .... | assistant camera | |
| P.K. Munson | .... | assistant camera | |
| Jen White | .... | assistant camera | |
Editorial Department | |||
| Angie Alvarez | .... | post-production coordinator (as Angela Alvarez) | |
| Chris Blankenship | .... | on-line editor | |
| David Fabelo | .... | assistant editor | |
| Julian Londoño | .... | second assistant editor (as Julian Londono) | |
| Joe Malina | .... | colorist | |
| Bill Scott | .... | senior color timer | |
| Nick Smith | .... | assistant on-line editor | |
| Trae Stanley | .... | assistant colorist | |
Music Department | |||
| Jonathan McHugh | .... | music supervisor | |
Thanks | |||
| Michael Almereyda | .... | thanks | |
| Robert Bingham | .... | in memory of | |
| Johnny Guess | .... | in memory of | |
| Richard King | .... | in memory of | |
| Barbara Kopple | .... | thanks | |
| Traci Kristofferson | .... | thanks | |
| Richard Linklater | .... | special thanks | |
| Fran Lohr | .... | special thanks | |
| Mickey Newbury | .... | in memory of | |
| Chloë Sevigny | .... | thanks | |
| Peggy Underwood | .... | in memory of | |
| Jeanene Van Zandt | .... | special thanks | |
| J.T. Van Zandt | .... | special thanks | |
| Katie Belle Van Zandt | .... | special thanks | |
| Cindy Van Zandt Lindgram | .... | special thanks | |
| Will Van Zandt | .... | special thanks | |
| Jerry Jeff Walker | .... | thanks | |
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| I Want to Destroy America | The Devil and Daniel Johnston | Tender Mercies | The Beach Boys: An American Band | Thoth |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section | Add this title to MyMovies |
Even if you're not a fan of documentaries, hell, even if you're not a fan of folk/country, Be Here To Love Me is a beautiful and well-directed story of the life of singer/songwriter Townes Van Zandt. More than just a movie for hardcore fans of the genre and the artist, the impeccable visual style of the movie keeps the average movie-goer enthralled within it's heartfelt and hilarious interviews of friends, family, and musical contemporaries give dialogue almost too good for a movie.
But then you're reminded that it's a documentary; it's fairly easy to forget. The only narration is the actual audio, be it phone calls (such as in the amazing opening sequence to "At My Window"), home movies, live performances, or the music itself. The camera pans across montages of midwest scenes: old men in the old mens' bars, truck driving, wandering through the desert, and so many others that play like one gorgeous, intermittent music video. Some of the dialogue is unforgettable, be it Townes discussing his addiction to airplane glue, Guy Clark laughing at him hitting on his wife, or his own mother expressing sorrow for exposing him to shock treatments early in his life.
The overall pace of the movie becomes disrupted near the last 20-30 minutes, as the overall flow of themes in Townes' life unfold less and less precisely and with as much organization as the beginning, but that's basically the only flaw to an otherwise brilliant documentary.
Not knowing much about Townes as a person, I can say that this movie helped me fall in love with his music and find new respect for the genre. I recommend it to anyone who loves this man, loves these kinds of quirky stories, loves country/folk, or... well, I recommend it to anyone!