| Videos |
| Katja Schuurman | ... | Katja | |
| Pierre Bokma | ... | Pierre | |
| Theo Maassen | ... | Theo | |
| Ellen Ten Damme | ... | Ellen | |
| Michiel de Jong | ... | Soapie | |
| Tinoes Fenanlamrer | ... | Agent | |
| Monique Meijer | ... | Agent | |
| rest of cast listed alphabetically: | |||
| Theo van Gogh | ... | Himself | |
Directed by | |||
| Theo van Gogh | |||
Writing credits(in alphabetical order) | ||
| Theodor Holman | screenplay | |
| Hans Teeuwen | idea | |
Produced by | |||
| Theo van Gogh | .... | producer | |
| Bert Janssens | .... | co-producer: Humanistische Omroep | |
| Marianne Plukker | .... | executive producer | |
| Gijs van de Westelaken | .... | producer | |
Original Music by | |||
| Rainer Hensel | |||
Cinematography by | |||
| Thomas Kist | (director of photography) | ||
Film Editing by | |||
| Léon Verkade | |||
Art Direction by | |||
| Ruud Van Dijk | |||
Set Decoration by | |||
| Katja Schuurman | |||
Makeup Department | |||
| Carolina Leenders | .... | makeup artist | |
| Kenneth Montford | .... | hair stylist | |
| Kenneth Montford | .... | wig maker | |
Production Management | |||
| Brigit Nieuwenhuizen | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Caroline Hoebrechts | .... | assistant director | |
| Doesjka van Hoogdalem | .... | assistant director | |
Art Department | |||
| Chantal van Dijk | .... | art direction assistant | |
| Edwin Kemper | .... | set dresser | |
Sound Department | |||
| Sophie Determeyer | .... | sound assistant | |
| Leo Franssen | .... | sound | |
| Wilfried van Baelen | .... | sound mixer | |
Camera and Electrical Department | |||
| Alex de Waal | .... | camera operator | |
| Joost van Herwijnen | .... | camera operator | |
Other crew | |||
| Doesjka van Hoogdalem | .... | assistant to director | |
| Hein Wiersinga | .... | caterer | |
| Recent Posts (updated daily) | User |
|---|---|
| DVD? | moviemaker928 |
| Flaw in the story? *spoilers!* | thooomas |
| looking for the french version | rienfet2 |
| Katja is so sexy! | Novah |
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| Interview | Notes on a Scandal | I Love Your Work | 8½ | Sophie Scholl - Die letzten Tage |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Netherlands section |
| Add this title to MyMovies |
INTERVIEW is a smart little independent film adapted from the 2003 Theo van Gogh film by the same name, a film that drew a lot of attention based on a script by Theodor Holman, which in turn was based on an idea by Hans Teeuwen sparring the famous Dutch actress Katja Schuurman with actor Pierre Bokma. In this adaptation Steve Buscemi reworked the Holman screenplay with the help of David Schechter, changing the female role to a tabloid type bombshell actress (also named Katya, played with razor sharp clarity by Sienna Miller) with a disgruntle political reporter Pierre (Steve Buscemi) whose career is on the skids requiring that he take lousy assignments such as this interview to stay alive.
Other than a disastrous opening in a classy restaurant where the two characters realize they are ridiculously mismatched as an interview pair, the entire film takes place in Katya's loft. Katya appears shallow and short of goals and Pierre only acquiesces to complete the interview when he suffers a head injury and is invited for ice and drink to Katya's place. What ensues is a battle of wits in which each of the two characters discovers more about each other than either cares to disclose, and after a 'mating dance' of sorts the two return to their separate corners of the boxing ring - each having a final twist on the other's private life. It is a play within a play and the words make all the difference.
Sienna Miller is becoming one of the more important actresses on the screen and in this role she proves her mettle in a superbly nuanced role. Steve Buscemi may not have been the optimal choice to play Pierre, but he is sharp to watch and is never short of intelligence, both as an actor and as a writer/director. Not an action movie and not a film for those who need strong narrative, but for viewers who enjoy the barbs and wit of a sparring match, this is a well-made example of the genre. Grady Harp