| Photos (see all 88 | slideshow) | Videos (see all 7 NEW) |
| Tom Hanks | ... | Michael Sullivan | |
| Tyler Hoechlin | ... | Michael Sullivan Jr. | |
| Rob Maxey | ... | Drugstore Owner | |
| Paul Newman | ... | John Rooney | |
| Liam Aiken | ... | Peter Sullivan | |
| Jude Law | ... | Harlen Maguire | |
| Jennifer Jason Leigh | ... | Annie Sullivan | |
| Daniel Craig | ... | Connor Rooney | |
| Ciarán Hinds | ... | Finn McGovern | |
| Craig Spidle | ... | Rooney's Henchman | |
| Ian Barford | ... | Rooney's Henchman | |
| Stephen P. Dunn | ... | Finn McGovern's Henchman (as Stephen Dunn) | |
| Paul Turner | ... | Finn McGovern's Henchman | |
| Kathleen Keane | ... | Irish Musician | |
| Brendan McKinney | ... | Irish Musician | |
| Jackie Moran | ... | Irish Musician | |
| Kieran O'Hare | ... | Irish Musician | |
| John M. Williams | ... | Irish Musician | |
| Nicolas Cade | ... | Boy Michael Fights | |
| David Darlow | ... | Jack Kelly | |
| Dylan Baker | ... | Alexander Rance | |
| John Sierros | ... | Rooney's Business Associate | |
| Jon Sattler | ... | Rooney's Business Associate | |
| Michael Brockman | ... | Rooney's Business Associate | |
| John Judd | ... | Rooney's Business Associate | |
| Christian Stolte | ... | Rooney's Business Associate | |
| Jack Callahan | ... | Rooney's Business Associate | |
| Maureen Gallagher | ... | Michael's Teacher | |
| Kevin Chamberlin | ... | Frank the Bouncer | |
| Juanita Wilson | ... | Brothel Maid | |
| Doug Spinuzza | ... | Calvino | |
| Roderick Peeples | ... | Nitti's Henchman | |
| Keith Kupferer | ... | Nitti's Henchman | |
| Lee Roy Rogers | ... | Secretary | |
| Stanley Tucci | ... | Frank Nitti | |
| Kurt Naebig | ... | Tenement Murderer | |
| Lance Baker | ... | Crime Scene Policeman | |
| Monte | ... | Living Corpse | |
| Duane Sharp | ... | Father Callaway | |
| Diane Dorsey | ... | Aunt Sarah | |
| Michael Sassone | ... | Motel Manager | |
| John Sterchi | ... | Cop at Diner | |
| Robert Jones | ... | Farmer at Diner | |
| Lara Phillips | ... | Ruby the Waitress | |
| Harry Groener | ... | Mr. McDougal | |
| JoBe Cerny | ... | Banker (as Jobe Cerny) | |
| Lawrence MacGowan | ... | Banker | |
| Timothy Hendrickson | ... | Banker | |
| Marty Higginbotham | ... | Banker | |
| Mina Badie | ... | Betty the Waitress | |
| Ed Kross | ... | Young Bank Manager | |
| Heidi Jayne Netzley | ... | Prostitute | |
| Phil Ridarelli | ... | Hotel Manager | |
| Peggy Roeder | ... | Farmer Virginia | |
| James Greene | ... | Farmer Bill | |
| rest of cast listed alphabetically: | |||
| James Currie | ... | Factory Worker (uncredited) | |
| Joe Fontana | ... | Business Man (uncredited) | |
| Kelly Hill | ... | Dancer (uncredited) | |
| Gene Janson | ... | Chief of Police (uncredited) | |
| Cory James Krueckeberg | ... | Young Irish Lover (uncredited) | |
| George Manisco | ... | Nitti Thug #4 (uncredited) | |
| Mark Morettini | ... | Nitti Thug #5 (uncredited) | |
| Martin Murphy | ... | Patron at the Library (uncredited) | |
Directed by | |||
| Sam Mendes | |||
Writing credits(WGA) | ||
| Max Allan Collins | (graphic novel) and | |
| Richard Piers Rayner | (graphic novel) | |
| David Self | (screenplay) | |
Original Music by | |||
| Thomas Newman | |||
Cinematography by | |||
| Conrad L. Hall | (director of photography) | ||
Film Editing by | |||
| Jill Bilcock | |||
Casting by | |||
| Debra Zane | |||
Production Design by | |||
| Dennis Gassner | |||
Art Direction by | |||
| Richard L. Johnson | |||
Set Decoration by | |||
| Nancy Haigh | |||
Costume Design by | |||
| Albert Wolsky | |||
Makeup Department | |||
| Audrey L. Anzures | .... | hair stylist | |
| Kathryn Blondell | .... | hair stylist: Mr. Hanks (as Kathryn L. Blondell) | |
| Linda Rizzuto | .... | hair stylist (as Linda R. Rizzuto) | |
| Ron Snyder | .... | makeup artist | |
| Daniel C. Striepeke | .... | makeup artist: Mr. Hanks | |
| Kathe Swanson | .... | hair stylist | |
| Linda Boykin-Williams | .... | makeup artist (uncredited) | |
| Aimee Lippert-Bastien | .... | assistant makeup artist (uncredited) | |
| Suzi Ostos | .... | makeup artist (uncredited) | |
Production Management | |||
| Erica Frauman | .... | post-production supervisor | |
| Michael J. Malone | .... | unit production manager: second unit (as Michael Malone) | |
| Cherylanne Martin | .... | unit production manager | |
Special Effects by | |||
| William Dambra | .... | special effects | |
| Allen Hall | .... | special effects coordinator (as Allen L. Hall) | |
| Matthew Hall | .... | special effects | |
| Gary L. Karas | .... | special effects | |
| John D. Milinac | .... | special effects foreman | |
| John Rigden | .... | special effects | |
| Frank Toro | .... | special effects | |
| John Cluff | .... | special effects crew (uncredited) | |
| Ryan Evans | .... | special effects (uncredited) | |
| Thomas Kittle | .... | special effects technician (uncredited) | |
| Michael Petrucci | .... | special effects technician (uncredited) | |
| Rob Yale | .... | special effects (uncredited) | |
Visual Effects by | |||
| Matthew Adams | .... | rotoscope supervisor: Cinesite | |
| Ted Andre | .... | compositor: Cinesite | |
| Lynn Basas | .... | motion tracker: Cinesite | |
| Paul Clemente | .... | visual effects producer: Cinesite | |
| Kyle DeVriendt | .... | vault manager: Cinesite | |
| Michael L. Fink | .... | visual effects supervisor: second unit (as Michael Fink) | |
| Paul Howarth | .... | visual effects editor: Cinesite | |
| Krystine Lankenau | .... | rotoscope artist: Cinesite (as Kristine Lankenau) | |
| David Lingenfelser | .... | composite supervisor: Cinesite | |
| Michael J. McAlister | .... | visual effects supervisor: Cinesite (as Micheal J. McAlister) | |
| Dante Quintana | .... | motion tracker: Cinesite | |
| Sean Rourke | .... | discreet logic editor: Cinesite | |
| Tiffany Smith | .... | visual effects production coordinator: Cinesite | |
| Arthur Sutherland | .... | motion tracker: Cinesite | |
| Tracy Takahashi | .... | visual effects associate producer: Cinesite | |
| Jonathan Alvord | .... | Avid editor (uncredited) | |
| Jeffrey Edward Baksinski | .... | 3D manager: Cinesite (uncredited) | |
| Dennis Hoffman | .... | head of production: Cinesite (uncredited) | |
| Andrew Hofman | .... | digital effects artist (uncredited) | |
| Fred Jimenez | .... | 3D technical assistant: Cinesite (uncredited) | |
| Kevin LaNeave | .... | video editor (uncredited) | |
| Vincent Lavares | .... | digital asset manager (uncredited) | |
Stunts | |||
| Joey Box | .... | utility stunts | |
| Frank P. Calzavara | .... | stunts (as Frank Calzavara) | |
| Doug Coleman | .... | stunt coordinator | |
| Craig Davis | .... | stunts (as Darrell Craig Davis) | |
| James Fierro | .... | stunts (as Jim Fierro) | |
| Billy Judkins | .... | stunts | |
| Rick Le Fevour | .... | stunts (as Rick LeFevour) | |
| Tom Lowell | .... | stunts | |
| James R. Mammoser | .... | stunts (as Jim Mammoser) | |
| Bob Marrocco | .... | stunts | |
| Allen Robinson | .... | utility stunts | |
| Kerry Rossall | .... | stunts | |
| Rick Shuster | .... | stunts | |
| Kevin Sorenson | .... | stunts | |
| Fred Thorne | .... | utility stunts | |
| Rich Wilkie | .... | stunts (as Rich Wilke) | |
| Daniel W. Barringer | .... | stunts (uncredited) | |
| Kim Kahana Jr. | .... | stunt double (uncredited) | |
| Chris Palermo | .... | stunts (uncredited) | |
| Allen Robinson | .... | stunt double: Tom Hanks (uncredited) | |
| Shirley Smrz | .... | stunts (uncredited) | |
Casting Department | |||
| Judith Bouley | .... | additional casting | |
| Leslee Feldman | .... | casting executive | |
| Tom Gustafson | .... | key extras casting assistant (as Thomas A. Gustafson) | |
| Barbara Harris | .... | adr voice casting | |
| Mickie Paskal | .... | casting consultant: Chicago | |
| Terri Taylor | .... | casting associate | |
| Rachel Tenner | .... | casting consultant: Chicago | |
| Pamela Lynn Thomas | .... | casting assistant (as Pamela Thomas) | |
| Jamie Biehl | .... | extras casting assistant (uncredited) | |
| Kendra Carter | .... | casting assistant (uncredited) | |
| Stephanie Glazer | .... | additional casting assistant (uncredited) | |
| Kevin Vargus | .... | casting production assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Patrick Caulfield | .... | set costumer | |
| Marcy Grace Froehlich | .... | assistant costume designer (as Marcy Froehlich) | |
| Laurel Frushour | .... | costumer: Mr. Hanks | |
| Gretchen Gain | .... | costumer | |
| Jennifer Jobst | .... | costumer | |
| Susan Kowarsh | .... | assistant costume designer | |
| Robert Q. Mathews | .... | costume supervisor | |
| Heather Pollock | .... | set costumer | |
| Eva Prappas | .... | key costumer (as Eva L. Prappas) | |
| Kenn Smiley | .... | key costumer | |
| Gordana Golubovich | .... | set costumer (uncredited) | |
| Sukari McGill | .... | set costumer (uncredited) | |
| Gina Panno | .... | costumer (uncredited) | |
| Damien Quinn | .... | costumer (uncredited) | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Martin Cohen | .... | post-production executive | |
| Sven E. Fahlgren | .... | post-production coordinator (as Sven E.M. Fahlgren) | |
| Celia Haining | .... | first assistant editor | |
| Phil Hetos | .... | color timer | |
| Lea Morement | .... | assistant editor | |
| Aaron Richmond | .... | editorial production assistant | |
| Dan Schalk | .... | supervising first assistant editor (as Daniel Schalk) | |
| Jennifer Stellema | .... | second assistant editor | |
| Alejandro Valdes-Rochin | .... | apprentice editor | |
| W. Kale Whorton | .... | editorial production assistant | |
Music Department | |||
| Bill Bernstein | .... | music editor | |
| Julian Bratolyubov | .... | music copyist | |
| George Budd | .... | music consultant | |
| Todd Homme | .... | music executive | |
| Thomas Pasatieri | .... | orchestrator | |
| Armin Steiner | .... | music recordist | |
| John M. Williams | .... | consultant: Irish music | |
| Michael Ziner | .... | assistant music editor (as Michael Zainer) | |
| Mark Eshelman | .... | scoring crew (uncredited) | |
| Jason Lloyd | .... | scoring crew (uncredited) | |
| Stephanie Murray | .... | score stage administrator (uncredited) | |
| John Rodd | .... | orchestral scoring recordist (uncredited) | |
| Pat Weber | .... | scoring technician (uncredited) | |
| Paul Wertheimer | .... | score recordist (uncredited) | |
Transportation Department | |||
| Bud Belyeu | .... | picture car captain | |
| Robert Dulys | .... | transportation office dispatcher | |
| George Hartmann | .... | driver: Mr. Hanks (as George W. Hartmann) | |
| James F. Hogan | .... | transportation captain (as James A. Hogan) | |
| Robert Neilson | .... | transportation coordinator | |
| Armand Paoletti | .... | transportation coordinator: Chicago | |
| Joseph Paoletti | .... | transportation co-captain (as Joseph J. Paoletti) | |
| Ed Wirth | .... | driver: Mr. Newman (as Edward Wirth) | |
| Pat Carman | .... | driver (uncredited) | |
| Bernard Glavin | .... | driver (uncredited) | |
| Kurt Knudsen | .... | driver (uncredited) | |
| Jonathan Rasmussen | .... | driver (uncredited) | |
| Robert Wallace | .... | driver (uncredited) | |
Other crew | |||
| Stacy Adamski | .... | assistant: Sam Mendes | |
| Stephen Andrzejewski | .... | location manager | |
| Brenda Berrisford | .... | assistant: Richard Zanuck | |
| Amanda Brand | .... | unit publicist (as Amanda J. Brand) | |
| Brady Breen | .... | location manager | |
| Chris Castaldi | .... | production assistant | |
| Michael Clossin | .... | stand-in | |
| Steve Cudzilo | .... | location office assistant (as Steven Cudzilo) | |
| Renee D. Czarapata | .... | payroll accountant | |
| Orbert Davis | .... | jazz consultant | |
| James D'Damery Jr. | .... | second assistant accountant | |
| Maria DeVane | .... | post-production accountant | |
| Demetra Diamantopoulos | .... | location manager | |
| Wileen Dragovan | .... | location manager | |
| Katherine Ferraro | .... | stand-in | |
| Nate Flansburgh | .... | stand-in (as Nate Flansburg) | |
| Peter Friedlander | .... | assistant: Joan Bradshaw | |
| Karen Garlich | .... | accounting assistant | |
| Joyce Green | .... | production assistant | |
| Russell Green | .... | production assistant (as Russell A. Green) | |
| Kurt Greufe | .... | first assistant accountant | |
| Michael Grillo | .... | head of feature production | |
| Tim Hillman | .... | location manager (as Timothy Hillman) | |
| Melanie Holloway | .... | assistant: Jude Law | |
| Mark Howard | .... | choreographer | |
| Martin L. Hudson | .... | assistant location manager | |
| Joy Johnson | .... | assistant: Walter Parkes | |
| C. David Jones | .... | production assistant | |
| Kyoko Kageyama | .... | travel coordinator | |
| John Karalous | .... | stand-in | |
| Renee Kitterman | .... | accounting clerk | |
| Ross L. Kulma | .... | first aid | |
| Adria Later | .... | studio teacher | |
| Larry Leahy | .... | script coordinator | |
| Michael B. Louis | .... | production secretary | |
| Brian Lunt | .... | projectionist | |
| Kathryn Madden | .... | craft service (as Kathryn A. Madden) | |
| David Malley | .... | production secretary | |
| Alicia Marotto | .... | assistant: Dean Zanuck | |
| James R. McAllister | .... | assistant location manager | |
| Larry McCaffrey | .... | technical advisor | |
| Harrison McEldowney | .... | choreographer | |
| Amy McKenzie | .... | assistant: Tom Hanks (as Amy Michelle McKenzie) | |
| Carla Meyer | .... | dialect coach | |
| Kathryn Mindala | .... | production accountant | |
| Steven R. Molen | .... | production executive | |
| Leslie Morris | .... | contractor | |
| Darice O'Mara | .... | assistant: Paul Newman (as Darice Wirth) | |
| Rosemary Orlando | .... | warehouse coordinator | |
| Christine Pawlowski | .... | accounting assistant | |
| Ruth Pollock | .... | assistant: Sam Mendes | |
| Alicia C. Pritchett | .... | armory liaison (as Alicia Pritchett) | |
| Gabriela Rios | .... | assistant production coordinator | |
| Dhana Rivera | .... | production coordinator | |
| Chad Rohrback | .... | production assistant | |
| Chris Romberg | .... | assistant production accountant (as Christopher Romberg) | |
| Jennifer Sanger | .... | executive production coordinator | |
| Ryan Suffern | .... | production assistant | |
| Jayne-Ann Tenggren | .... | script supervisor | |
| Lloyd Thomas | .... | caterer | |
| Tyler Thornberg | .... | production assistant | |
| Jim Turner | .... | production controller | |
| Hayley Williams | .... | research assistant | |
| Glenn Williamson | .... | creative executive | |
| John David Wolfe | .... | assistant location manager | |
| Chris Arrington | .... | production assistant (uncredited) | |
| Melanie Cassidy | .... | location assistant (uncredited) | |
| James Currie | .... | pre-production assistant (uncredited) | |
| Kristin Dehnert | .... | location manager (uncredited) | |
| Kevin Du Toit | .... | assistant to post-production (uncredited) | |
| Carrie Goodman | .... | location scout (uncredited) | |
| Bradley Grant | .... | caterer (uncredited) | |
| Patrick Gregston | .... | consultant (uncredited) | |
| Peter Hansen | .... | caterer: pastry chef (uncredited) | |
| Susan Hartmann | .... | assistant production office coordinator: Los Angeles (uncredited) | |
| Todd Havern | .... | location assistant (uncredited) | |
| Matt Hickey | .... | production assistant (uncredited) | |
| Matthew Jewett | .... | office production assistant: Los Angeles (uncredited) | |
| Michael Judd | .... | office production assistant: Los Angeles (uncredited) | |
| Brian S. Kalata | .... | assistant location manager (uncredited) | |
| Martha Lafage | .... | location assistant (uncredited) | |
| Jill S. Litwin | .... | set production assistant (uncredited) | |
| Warner Loughlin | .... | acting coach (uncredited) | |
| Harry Lu | .... | armorer (uncredited) | |
| Eric A. Mattson | .... | production assistant (uncredited) | |
| Justin Miedwig | .... | caterer: Chicago (uncredited) | |
| Heather Sharpe | .... | production office assistant (uncredited) | |
| Mark N. Woods | .... | remote head technician (uncredited) | |
| Ryan Worrell | .... | production assistant (uncredited) | |
Thanks | |||
| Conrad L. Hall | .... | dedicatee | |
| Anthony LaPaglia | .... | thanks | |
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I f you thought Sam Mendes' first film, the much heralded American BEAUTY was a movie with style to spare, wait until you see his highly anticipated second effort, the unrelentingly grim 30's gangster melodrama ROAD TO PERDITION. Some critics have hailed this new movie as a worthy successor to THE GODFATHER, a rash judgment made by several reviewers taken with Mr. Mendes' extraordinary technical prowess. If the mechanics of movie making are what make a picture great, then yes, ROAD TO PERDITION is a distant cousin to THE GODFATHER in terms of what it achieves in cinematography, editing, music scoring and sound. What it doesn't have is a resonance that all great stories and some very rare movies have that stay with the viewer long after the experience of reading or seeing it is over. As with American BEAUTY, there is a cold, distancing feel to this movie, despite some very tense scenes involving paternal love, loyalty and betrayal.
This story of a hit man (Tom Hanks) and his relationship to a surrogate father - figure who is also his boss, an elderly Irish mob leader (Paul Newman) , seems to have been culled from innumerable gangster movies of years past. The father /son motif that hangs over this picture is so heavy handed in its treatment that there is not much room for spontaneity ; the entire enterprise has been very carefully wrought , and nearly all the dialog is delivered with an air of great portent : this is obviously a gangster film , hence the requisite amount of violence and bloodshed , but the film is nearly devoid of any humor to speak of ; only in scenes involving a young boy driving a getaway car in a cunningly edited montage is there any sense of lightheartedness to leaven the pervasive sense of doom.
That being said , I have nothing but the highest praise for the stunning look of this film ; indeed , it is not an overstatement to say that this is one of the most beautifully photographed and designed movies I have ever seen. Veteran cameraman Conrad Hall will very likely win another Oscar for his work here . The production 's sets and costumes are just as exemplary ; in fact , the entire film is a technical marvel. Mr. Mendes continues to astonish with his vivid use of color, and he and Mr. Hall again make very dramatic use of red blood splattered against pale colored walls , all the more effective and disconcerting due to the preponderance of blacks, blues and grays that dominate the movie's color scheme.
If I have failed to duly note the acting , it is not because the actors do not purport themselves ably ; everyone in the film is top notch, with special mention going to the two malevolent bad guys : Daniel Craig is the classic "man you love to hate", the spoiled, impulsive son of Newman's gangster father ; and an almost unrecognizable Jude Law as an especially slimy miscreant who goes on pursuit of Hanks and his son and figures very importantly in the film's riveting second half. But acting in a movie this dazzling is bound to take a back seat to the photographic fireworks on display here. If a Rolls-Royce was a movie , I've no doubt it would look like ROAD TO PERDITION.