| Photos (see all 64 | slideshow) | Videos (see all 8) |
| Guy Pearce | ... | Leonard | |
| Carrie-Anne Moss | ... | Natalie | |
| Joe Pantoliano | ... | Teddy Gammell | |
| Mark Boone Junior | ... | Burt | |
| Russ Fega | ... | Waiter | |
| Jorja Fox | ... | Leonard's Wife | |
| Stephen Tobolowsky | ... | Sammy | |
| Harriet Sansom Harris | ... | Mrs. Jankis | |
| Thomas Lennon | ... | Doctor | |
| Callum Keith Rennie | ... | Dodd | |
| Kimberly Campbell | ... | Blonde | |
| Marianne Muellerleile | ... | Tattooist | |
| Larry Holden | ... | Jimmy | |
| rest of cast listed alphabetically: | |||
| Buzz Visconti | ... | Motel Guest (uncredited) | |
Directed by | |||
| Christopher Nolan | |||
Writing credits | ||
| Jonathan Nolan | (short story "Memento Mori") | |
| Christopher Nolan | (screenplay) | |
Produced by | |||
| Christopher Ball | .... | co-executive producer (as Chris J. Ball) | |
| Elaine Dysinger | .... | co-producer | |
| Aaron Ryder | .... | executive producer | |
| Emma Thomas | .... | associate producer | |
| Jennifer Todd | .... | producer | |
| Suzanne Todd | .... | producer | |
| William Tyrer | .... | co-executive producer | |
Original Music by | |||
| David Julyan | |||
Cinematography by | |||
| Wally Pfister | (director of photography) | ||
Film Editing by | |||
| Dody Dorn | |||
Casting by | |||
| John Papsidera | |||
Production Design by | |||
| Patti Podesta | |||
Set Decoration by | |||
| Danielle Berman | |||
Costume Design by | |||
| Cindy Evans | |||
Makeup Department | |||
| Scott H. Eddo | .... | key makeup artist (as Scott Eddo) | |
| Larry Waggoner | .... | key hair stylist | |
Production Management | |||
| Jenifer Chatfield | .... | post-production supervisor | |
| Page Rosenberg-Marvin | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Michael Musteric | .... | second second assistant director (as Michael J. Musteric) | |
| Robert Ohlandt | .... | second assistant director: second unit (as Robert J. Ohlandt) | |
| Christopher Pappas | .... | first assistant director | |
| Michelle Pappas | .... | second assistant director (as Michelle 'Muggs' Pappas) | |
| Marlon Smith | .... | first assistant director: second unit | |
| Chris Edmonds | .... | first assistant director (uncredited) | |
Art Department | |||
| Fanée Aaron | .... | draftsperson (as Fanee Aaron) | |
| Patrick Bolton | .... | swing gang | |
| Mark Lambert Bristol | .... | storyboard artist (as Mark Bristol) | |
| Randy Budka | .... | set painter | |
| Andrew Max Cahn | .... | draftsperson | |
| Erik Carlson | .... | assistant art director (as P. Erik Carlson) | |
| Lamont Carson | .... | propmaker | |
| Walsh Carvalho | .... | swing gang (as Walsh Creek Carvalho) | |
| Tessa Chasteen | .... | assistant property master (as Tessa 'Lucky' Chasteen) | |
| Derek Christensen | .... | stand-by carpenter | |
| Julia D'Agostino | .... | art department assistant | |
| Dan Dorfer | .... | head painter foreman | |
| Sean Fallon | .... | property master | |
| J.J. Fleisher | .... | swing gang | |
| Lilly Frank | .... | stand-by painter | |
| Katie Gonzalez | .... | propmaker (as Katie Sanner) | |
| William F. Graves II | .... | propmaker | |
| Jay Hadley | .... | art department assistant | |
| Jeff Leahy | .... | set painter | |
| Gabriel Lopez | .... | propmaker | |
| David Mocsary | .... | leadman | |
| Marilyn Morgan | .... | on-set dresser | |
| Liz Ruckdeschel | .... | art department assistant | |
| Paul A. Still | .... | construction coordinator | |
| Dan Wilson | .... | propmaker | |
Sound Department | |||
| Charlie Ajar Jr. | .... | sound recordist | |
| Michael C. Casper | .... | sound re-recording mixer (as Michael Casper) | |
| Norval D. Crutcher III | .... | adr supervisor (as Norval Crutcher III) | |
| Norval D. Crutcher III | .... | dialogue editor (as Norval Crutcher III) | |
| William Fiege | .... | sound mixer (as William M. Fiege) | |
| Diana Flores | .... | adr recordist | |
| Gary S. Gerlich | .... | supervising sound editor | |
| Jeff Gomillion | .... | adr mixer | |
| Alan Holly | .... | adr mixer | |
| William Hooper | .... | sound effects editor | |
| Richard LeGrand Jr. | .... | supervising sound editor | |
| Dean Minnerly | .... | foley artist | |
| Robert Muchnicki | .... | foley artist (as Rob Muchnicki) | |
| Patrick O'Sullivan | .... | sound effects editor | |
| Albert Romero | .... | foley mixer | |
| Walter Spencer | .... | dialogue editor | |
| Jonathan Wales | .... | sound re-recording mixer | |
| Samuel Webb | .... | assistant sound editor | |
| Ace Williams | .... | boom operator | |
| Marilyn Graf | .... | foley editor (uncredited) | |
Special Effects by | |||
| Andrew Sebok | .... | special effects coordinator | |
Visual Effects by | |||
| Christopher Dusendschon | .... | digital imaging: THDX (uncredited) | |
| Steven Emmert | .... | optical compositor: THDX (uncredited) | |
Stunts | |||
| Brian Avery | .... | stunts | |
| Christopher Doyle | .... | stunts (as Chris Doyle) | |
| Corey Michael Eubanks | .... | stunts (as Corey Eubanks) | |
| Steve Hulin | .... | stunts | |
| Julius LeFlore | .... | stunt coordinator (as Julius Leflore) | |
| Monte Rex Perlin | .... | stunts (as Monte Perlin) | |
Camera and Electrical Department | |||
| David Bodin | .... | best boy grip | |
| Kevin Chickanis | .... | key grip: second unit (as Kevin Chickauis) | |
| Eric M. Davis | .... | lamp operator | |
| Kenny Davis | .... | dolly grip | |
| Cory Geryak | .... | gaffer | |
| Bob Hall | .... | camera operator | |
| D.J. Harder | .... | first assistant camera: second unit (as David J. Harder) | |
| Toulouse Holliday | .... | best boy grip: second unit (as Shane Toulouse Holliday) | |
| Richard James Hughes | .... | second assistant camera: second unit (as Rich Hughes) | |
| Dan Lynch | .... | grip | |
| Jim McComas | .... | best boy electric | |
| Greg McEachen | .... | lamp operator (as Gregory E. McEachen) | |
| Daniel C. McFadden | .... | second assistant camera | |
| Jason Newton | .... | key grip | |
| Daniel C. Rothenberg | .... | still photographer (as Danny Rothenberg) | |
| Landon Ruddel | .... | gaffer (as Landen Ruddell) | |
| Joaquin Sedillo | .... | director of photography: second unit | |
| Philip Shanahan | .... | first assistant camera (as Phil Shanahan) | |
| Don Spiro | .... | lamp operator | |
| R. Michael Stringer | .... | grip | |
| Rachel Wells | .... | lamp operator | |
Casting Department | |||
| Barbara Harris | .... | adr voice casting | |
| Terrence Harris | .... | casting associate (as Terence Harris) | |
| Wendy O'Brien | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Anne Laoparadonchai | .... | set costumer | |
| Laura Marolakos | .... | assistant costume designer | |
Editorial Department | |||
| Jamie Burris | .... | post-production assistant | |
| Don Capoferri | .... | color timer | |
| Mike Grant | .... | first assistant editor | |
| Mato | .... | color timer (as Mato Der Avanessian) | |
| Cybele O'Brien | .... | apprentice editor | |
| Michael Matsumoto | .... | post-production assistant (uncredited) | |
| Chris Miller | .... | post-production services (uncredited) | |
Music Department | |||
| David Klotz | .... | music supervisor | |
| Mikael Sandgren | .... | music editor | |
Transportation Department | |||
| Robert Blatchford | .... | driver | |
| Bruce Callahan | .... | driver | |
| John Cardos | .... | driver (as John Bud Cardos) | |
| Gary DeVoe | .... | driver (as Gary Devoe) | |
| Dan Duffy | .... | driver | |
| Joe Feeney | .... | transportation captain (as Joseph R. Feeney) | |
| Denise Fligg | .... | driver | |
| P. Gerald Knight | .... | transportation coordinator | |
| Charles Newland | .... | driver | |
| Shaun Ryan | .... | driver | |
| Steve Shoemaker | .... | driver (as Steve 'Shoe' Shoemaker) | |
| Keven Simmons | .... | driver (as Keven Hale Simmons) | |
| Travis Stake | .... | driver | |
| Dan O. Wiseman | .... | driver | |
| J. Armin Garza II | .... | driver: camera car (uncredited) | |
Other crew | |||
| Brent Amelingmeier | .... | executive: Newmarket | |
| Terrence Beasor | .... | adr voice | |
| Elizabeth A. Bergman | .... | post-production accountant (as Elizabeth Bergman) | |
| Jose Carrillo | .... | chef helper | |
| Rene Cogan | .... | executive: Newmarket | |
| John B. Crye | .... | executive: Newmarket (as John Crye) | |
| Vicki Davis | .... | adr voice | |
| John DeMita | .... | adr voice (as John Demita) | |
| Judi M. Durand | .... | adr voice (as Judi Durand) | |
| Russ Fega | .... | location manager | |
| Bennett Fidlow | .... | additional legal services (as Bennett J. Fidlow) | |
| Efrain Figueroa | .... | adr voice | |
| Greg Finley | .... | adr voice | |
| Jeff Fischer | .... | adr voice | |
| Antonio García | .... | chef | |
| Steve Gehrke | .... | script supervisor (as Steven R. Gehrke) | |
| David 'Cajun' Guilbeau | .... | craft service (as Cajun Guilbeau) | |
| Linda Hawkins | .... | executive: Newmarket | |
| Erika Hemmerle | .... | assistant: Jennifer Todd | |
| Rafael Hernandez | .... | chef helper | |
| Doris Hess | .... | adr voice | |
| Frank S. Johnson | .... | assistant: Suzanne Todd (as Frank Johnson) | |
| Monica Kenyon | .... | key set production assistant (as Monica M. Kenyon) | |
| Christina Kim | .... | assistant production coordinator | |
| Kenneth Kim | .... | executive: Newmarket | |
| Chad Lane | .... | stand-in | |
| Amanda Lawrence | .... | publicist | |
| Scott Leclau | .... | executive: Newmarket | |
| Larry T. Lewis | .... | production coordinator | |
| Ed McGrady | .... | production assistant | |
| Denise Mora | .... | first assistant accountant | |
| Bob Neill | .... | adr voice | |
| Jonathan Nolan | .... | production assistant (as Jonah Nolan) | |
| Scott Pierce | .... | stand-in | |
| Debra Pollack | .... | executive: Newmarket | |
| William M. Povletich | .... | production accountant (as William Povletich) | |
| Michelle Purple | .... | assistant: Suzanne Todd (as Michelle Glass) | |
| Jasan Sherman | .... | assistant location manager (as Howie Sherman) | |
| Audrey Tallard | .... | production assistant | |
| Marianne E. Titiriga | .... | assistant: Jennifer Todd (as Marianne Titiriga) | |
| Rhonda Wheelan | .... | craft service | |
| Cindy Wilkinson Kirven | .... | executive: Newmarket | |
| Anthony Woods | .... | first aid | |
| Jenny Worman | .... | stand-in | |
| Charlie Yook | .... | production assistant | |
| Ruth Zalduondo | .... | adr voice | |
| John B. Crye | .... | story editor (uncredited) | |
| Bridgette Kelley | .... | additional script supervisor (uncredited) | |
| Frederic Perrin | .... | caterer (uncredited) | |
Thanks | |||
| Howard Abramson | .... | special thanks | |
| Dan Aloni | .... | special thanks | |
| Chris Andrews | .... | special thanks | |
| Keya Khayatian | .... | special thanks | |
| Nancy Kirhoffer | .... | special thanks | |
| Gleb Klioner | .... | special thanks | |
| Stephanie Reuler | .... | special thanks | |
| Vanessa Ryder | .... | special thanks | |
| Michael Schenkman | .... | special thanks | |
| Michael Schlitt | .... | special thanks | |
| Todd Schulkin | .... | special thanks | |
| Diane Upson | .... | special thanks | |
| Patrick Wachsberger | .... | special thanks | |
| Cal Worthington | .... | special thanks | |
| Henry Wrenn-Meleck | .... | special thanks | |
|
|
|
|
|
| Ghajini | Sin City | El maquinista | Lo strano vizio della Signora Wardh | The Last Seduction |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Mystery section |
| IMDb USA section | Add this title to MyMovies |
If I told you the entire plot of this film it really wouldn't matter as it is an exquisite paean to the subjectivity of memory and therefore is in itself ambiguous; the truth' of it is up to you. You come out of the cinema questioning yourself, your memories, your truths. Nothing in this film is as it seems, and yet paradoxically everything is as it seems. We see everything through Guy Pearce's characters' (Lenny) eyes, unfortunately he has no short-term memory so cannot form new memories. He would have already forgotten the first sentence of this review. He lives in snapshots of life; his only form of memory is his Polaroid camera, just like in the excellent German film Wintersleepers; also (partly) about a short-term memory disorder.
In this film Lenny takes snapshots to remember who people are, where he now lives, his car, everything. As you can imagine this is perfect for paranoia, suspicion, uncertainty, confusion, and betrayal. And that's exactly what you get in extreme doses. The difference between this film and Wintersleepers however is that Memento is entirely from Lenny's perspective. This therefore creates an imaginative, creatively unsurpassable film. The film begins where it should end, so far so trite, but here's the beauty, we, like Guy Pearce, learn in fragments what's going on. It is therefore perfect for those who love to second guess what's going to happen, who did what, who's doing what and why. The beauty of this film though is that my interpretation could be so different from yours, and neither of us could be sure whose interpretation is the right one; if there is a right one at all. Nothing is certain, nothing is clear. Another beauty of this film is the way it is filmed and edited. Pieces are shown a number of times with no real linear link between them, just like it would be if we ourselves had a memory disorder, and then they are cut up and edited next to things that happen either before or after it. It's just like holding ten different and linearly distinct Polaroids in your hand and having a short-term memory disorder. Excellent.
I'm not even sure if watching it again will make things any less ambiguous, but then who cares? The ambiguity is what makes this a great film, if it wasn't so cut up, or from Lenny's perspective it would be both very short and trite; and lacking in tension, suspense and interest. But as it stands it has all three, isn't trite and says so much about humanity. Oh, and the plot? It really doesn't matter, all you need to know is that everything about this film is indicative of the subjectivity of memory, of our experiences and interpretations of all that happens to us. Nothing will seem as black and white as it did beforehand. It will make you question every memory you have, almost as much as possessing a psychology degree, as I do! So, go and see it: be confused, acknowledge the frailty of all you know to be true, and then imagine the freedom of actually being Lenny, and then the horror of having nothing, nothing but the reliance of a pen and a Polaroid camera to know who you are.