Payback (1999/I)

User Rating:

6.9/10   

Director:

Brian Helgeland

Writers:

Donald E. Westlake (novel)
Brian Helgeland (screenplay) ...

Release Date:

5 February 1999 (USA)

Genre:

Action | Crime | Thriller

Tagline:

No More Mr. Nice Guy

Plot:

Porter is shot by his wife and best friend and is left to die. When he survives he plots revenge.

Plot Keywords:

Money | Revenge | Robbery | Criminal | Prostitute

Awards:

2 wins & 2 nominations

US TV Schedule:

Sun. Nov. 22

1:00 PM

TNT

Cast

Mel Gibson	...	Porter
Gregg Henry	...	Val Resnick
Maria Bello	...	Rosie
David Paymer	...	Arthur Stegman
Bill Duke	...	Det. Hicks
Deborah Kara Unger	...	Mrs. Lynn Porter
John Glover	...	Phil
William Devane	...	Carter
Lucy Liu	...	Pearl (as Lucy Alexis Liu)
Jack Conley	...	Det. Leary
Kris Kristofferson	...	Bronson
Mark Alfa	...	Johnny's Friend #2
Kwame Amoaku	...	Radioman
Justin Ashforth	...	Michael, Bartender #1
Len Bajenski	...	Fairfax Bodyguard #1

Also Known As:

Porter (USA) (working title)

MPAA:

Rated R for strong violence, language, and drug and sexual content.

Runtime:

100 min | USA:90 min (director's cut)

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

USA:R (certificate #36313) | New Zealand:R18 | Iceland:16 | Argentina:13 | Peru:14 | Canada:PG (Ontario) | Philippines:R-18 | Hungary:18 | Italy:VM18 (tv rating) | Australia:MA | Belgium:KNT | Finland:K-16 | France:-16 | Germany:16 | Netherlands:16 | Norway:18 | Portugal:M/16 | Singapore:NC-16 | South Korea:18 | Spain:18 | Sweden:15 | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | UK:18 (cut) | Canada:16+ (Quebec)

Filming Locations:

Chicago, Illinois, USA

Company:

Icon Entertainment International

Trivia:

Deborah Kara Unger broke two ribs in the scene where Mel Gibson beats the hell out of her which is now restored in the Director's Cut. She was stated that she was having fun flying around and getting slammed into things and did one too many.

Goofs:

Continuity: Rosie's apartment door has 404 on it, visible when she greets Porter the first time and when Resnick ambushes her. Resnick sees a bloody mark on the call button for 403.

Quotes:

[first lines]
Porter: [voiceover] GSW: that's what the hospitals call it: gunshot wound. Doctor has to report it to the police. That makes it hard for guys in my line to get what I call, quality health care.

Movie Connections:

Edited into Payback: Straight Up - The Director's Cut (2006) (V)

Soundtrack:

Smoke Gets in Your Eyes

I'm in town,stay out of my way

Mel (as Parker aka Porter) is a bad guy who comes across as a good guy because everyone else in this flic is even more nasty than he is. It's a simple play on perspective not often utilized in the movies. Usually, the hero is A HERO, white hat and all, even with a few quirks or deficiencies to his character. Not so, here. And the key to the whole picture is buying into Mel as a bad man, all despite his many years in heroic roles beforehand. It works very well, especially in the beginning, where it really needed to. There's an early scene during the credits where Mel forces himself to smile in a mirror, as preparation for putting forth his 'best face' to a teller at a bank. One gets the impression this really is a man unaccustomed to smiling, a sour, angry man. The early scenes also recall the beginning of "Miami Blues," that being a criminal swooping into town and wasting no time in bringing a little terror & hardship on certain select bystanders. There's a danger, in a film sense, of satirizing such moments too much, to the point of slapstick comedy - rather than dark comedy, which it really is. But Mel doesn't mess around here: he means business, bashing scum left & right, and blowing 'em away as he moves up the ladder of an organized crime organization. The rest of the cast is top-notch, by the way. The casting directors must have had a field day on this one. Then Mel himself is beaten; the whole theme of the movie seems to be about pain: how much one can stand; how much one can dish out. It ends up being very cathartic. The cinematography also helps this picture: the photography is quite stark,ultra-crisp, adding to the 'punch' of the whole show. The lines on Mel's face are deeper than ever; he seems to carry years of pain there. And years of guilt, maybe.