Philadelphia (1993)

Director:

Jonathan Demme

Writer (WGA):

Ron Nyswaner (written by)

Release Date:

23 December 1993 (USA)

Genre:

Drama

Tagline:

No one would take on his case... until one man was willing to take on the system.

Plot:

When a man with AIDS is fired by a conservative law firm because of his condition, he hires a homophobic small time lawyer as the only willing advocate for a wrongful dismissal suit.

Plot Keywords:

AIDS | Lawyer | Homophobia | Pennsylvania | City Name In Title

Awards:

Won 2 Oscars. Another 9 wins & 12 nominations

US TV Schedule:

Wed. Dec. 2	1:00 AM	BRAVO
Fri. Dec. 11	5:30 PM	BRAVO

Cast

Tom Hanks	...	Andrew Beckett
Denzel Washington	...	Joe Miller
Roberta Maxwell	...	Judge Tate
Buzz Kilman	...	Crutches
Karen Finley	...	Dr. Gillman
Daniel Chapman	...	Clinic Storyteller
Mark Sorensen Jr.	...	Clinic Patient
Jeffrey Williamson	...	Tyrone
Charles Glenn	...	Kenneth Killcoyne
Ron Vawter	...	Bob Seidman
Anna Deavere Smith	...	Anthea Burton
Stephanie Roth Haberle	...	Rachel Smilow (as Stephanie Roth)
Lisa Talerico	...	Shelby
Joanne Woodward	...	Sarah Beckett
Jason Robards	...	Charles Wheeler

Also Known As:

At Risk (USA) (working title)
People Like Us (USA) (working title)

MPAA:

Rated PG-13 for some graphic language and thematic material.

Runtime:

125 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

SDDS | Dolby

Certification:

Iceland:L | Portugal:M/12 | Mexico:C | South Korea:15 | Argentina:13 | Australia:PG | Chile:14 | Finland:S | France:U | Germany:12 (bw) | Netherlands:AL | Norway:10 | Peru:14 | Singapore:NC-16 (re-rating) | Spain:13 | Sweden:11 | UK:12 | USA:PG-13 | Canada:PG

Filming Locations:

City Hall - Broad and 15th Streets, Philadelphia, Pennsylvania, USA

Company:

Clinica Estetico

Trivia:

The film's workings title included "People Like Us", "At Risk" and "Probable Cause".

Goofs:

Continuity: The bowls that Joe Miller puts on the table.

Quotes:

Joe Miller: What do you love about the law, Andrew?
Andrew Beckett: I... many things... uh... uh... What I love the most about the law?
Joe Miller: Yeah.
Andrew Beckett: It's that every now and again - not often, but occasionally - you get to be a part of justice being done. That really is quite a thrill when that happens.

Movie Connections:

Spoofed in "Saturday Night Live: John Goodman/The Pretenders (#19.19)" (1994)

Soundtrack:

Yes Means Yes

Moving and Powerful! Demme shines!

Jonathan Demme's "Philadelphia" throws us into a world of pain and stark truth that is few and far between in mainstream cinema. The sheer idea that a film would so blatantly take on the difficulty of AIDS and homosexuality, helmed by the director of "Silence of the Lambs", the actor in "Big" and the guy who played Malcom X, is staggering.

AIDS is a reality and homophobia is a nasty truth that permeates our "United" States of America, as well as the rest of the world. At the time that this film was released (about 1993), the U.S. found solace in the idea that AIDS and homosexuality were dirty brothers in a distant family. By placing the film in the "City of Brotherly Love", hiring Bruce Springsteen to sing the title song and having an up-and-coming Tom Hanks star, director Jonathan Demme wisely readied an ignorant America for our first, uninhibited glance into the face of AIDS.

Tom Hanks embodied his role in an Oscar-worthy performance, allowing us to watch as his lovely and lively Andrew Beckett deteriorate before our eyes. Tom Hanks and the writers took to task the difficult and annoyingly controversial hurdle of playing the "gay" character and placing the "straight" audience into that different world. Stereotypes are mostly shied away from in the script with a few "fem" gays and drag queens. These scenes are few, but are also a reality. Many a Christmas party have I attended with the same crowd ("fems" and drag queens) in the mix. The other, mildly annoying, factor in this film is that the writers inform us that squeaky-clean gay Andrew Beckett contracts AIDS at a porn theater from an anonymous stranger, while in a committed relationship. This annoyed me because I wanted a righteous victim, not a impure victim. Yet as time has gone by and I have had the opportunity to work with many a victim of AIDS, whether be it male or female, gay or straight, I have seen that this too is an unfortunate reality. No one is perfect (gay or straight, male or female) and mistakes are often made. Costly mistakes are often made. This was a painful truth, but it is a truth nonetheless. In this, Tom Hanks as Mr. Beckett, brilliantly gave AIDS an honest face for a distant America.

Denzel Washington, on the other hand, allowed America to have a relatable character, one whose shoes we've fit in before. Denzel's views of homosexuality were (and still are) commonplace in the American psyche and his reactions to AIDS were understandable to the average audience. Yet all in all this dramatic film brought a message home.

Demme's directing style is nothing amazing; he tastefully weaves a tale without flashy shots or fancy cuts. At times the film borders on preachy, but, as always, it is Demme's story that grasps the audience, his mood that sets us into the tale, his actors and his direction of them that gives the film honesty. This film is highly recommended if not for the great acting but for lovers of a great story.