| Videos (see all 3) |
| Meryl Streep | ... | Sarah / Anna | |
| Jeremy Irons | ... | Charles Henry Smithson / Mike | |
| Hilton McRae | ... | Sam | |
| Emily Morgan | ... | Mary | |
| Charlotte Mitchell | ... | Mrs. Tranter | |
| Lynsey Baxter | ... | Ernestina | |
| Jean Faulds | ... | Cook | |
| Peter Vaughan | ... | Mr. Freeman | |
| Colin Jeavons | ... | Vicar | |
| Liz Smith | ... | Mrs. Fairley | |
| Patience Collier | ... | Mrs. Poulteney | |
| John Barrett | ... | Dairyman | |
| Leo McKern | ... | Dr. Grogan | |
| Arabella Weir | ... | Girl on undercliff | |
| Ben Forster | ... | Boy on undercliff | |
| Catherine Willmer | ... | Dr. Grogan's housekeeper | |
| Anthony Langdon | ... | Asylum keeper | |
| Edward Duke | ... | Nathaniel | |
| Richard Griffiths | ... | Sir Tom | |
| Graham Fletcher-Cook | ... | Delivery boy | |
| Richard Hope | ... | Assistant #3 | |
| Michael Elwyn | ... | Montague | |
| Toni Palmer | ... | Mrs. Endicott | |
| Cecily Hobbs | ... | Betty Anne | |
| Doreen Mantle | ... | Lady on train | |
| David Warner | ... | Murphy | |
| Alun Armstrong | ... | Grimes | |
| Gérard Falconetti | ... | Davide | |
| Penelope Wilton | ... | Sonia | |
| Joanna Joseph | ... | Lizzie | |
| Jude Alderson | ... | Red-haired prostitute (as Judith Alderson) | |
| Cora Kinnaird | ... | Prostitute #2 | |
| Orlando Fraser | ... | Tom Elliott | |
| Fredrika Morton | ... | Girl | |
| Alice Maschler | ... | Girl #2 | |
| rest of cast listed alphabetically: | |||
| Harriet Walter | ... | (scenes deleted) | |
| Georgina Hale | ... | Actress at wrap party (uncredited) | |
| Vicky Ireland | ... | (uncredited) | |
| Janet Rawson | ... | (uncredited) | |
| Clare Travers-Deacon | ... | (uncredited) | |
Directed by | |||
| Karel Reisz | |||
Writing credits | ||
| John Fowles | (novel) | |
| Harold Pinter | (screenplay) | |
Produced by | |||
| Leon Clore | .... | producer | |
| Geoffrey Helman | .... | associate producer | |
| Tom Maschler | .... | associate producer | |
Original Music by | |||
| Carl Davis | |||
Cinematography by | |||
| Freddie Francis | |||
Film Editing by | |||
| John Bloom | |||
Production Design by | |||
| Assheton Gorton | |||
Art Direction by | |||
| Allan Cameron | |||
| Norman Dorme | |||
| Terry Pritchard | |||
Set Decoration by | |||
| Ann Mollo | |||
Costume Design by | |||
| Tom Rand | |||
Makeup Department | |||
| Sue Barradell | .... | makeup artist | |
| Simon Thompson | .... | hair stylist | |
Production Management | |||
| Chris Burt | .... | production manager | |
Art Department | |||
| Andy Aitken | .... | plasterer | |
| Mark Fruin | .... | stand-by propman | |
Sound Department | |||
| Don Banks | .... | sound camera | |
| Bill Rowe | .... | sound re-recording mixer | |
| Don Sharpe | .... | sound editor | |
| Ivan Sharrock | .... | production sound mixer | |
| Lionel Strutt | .... | adr mixer (uncredited) | |
Special Effects by | |||
| Alan Bryce | .... | special effects | |
| Nobby Clark | .... | special effects (as Nobby Clarke) | |
| Paul Corbould | .... | special effects | |
| Ricky Farns | .... | special effects | |
| John Humphreys | .... | sculptor | |
| Garth Inns | .... | special effects | |
| Michael White | .... | special effects technician | |
Visual Effects by | |||
| Nick Wass | .... | optical cameraman (uncredited) | |
Camera and Electrical Department | |||
| Frank Connor | .... | still photographer | |
| Gordon Hayman | .... | camera operator | |
| Roy Larner | .... | gaffer | |
| John Matthews | .... | best boy | |
| Jim Dawes | .... | grip (uncredited) | |
Costume and Wardrobe Department | |||
| Brenda Dabbs | .... | wardrobe supervisor | |
Editorial Department | |||
| Jeremy Hume | .... | assistant editor | |
| Chris Kennedy | .... | assistant editor | |
| Chris Ridsdale | .... | assistant editor | |
Music Department | |||
| Carl Davis | .... | conductor | |
| Brian Gascoigne | .... | music arranger: additional arrangements (uncredited) | |
| Christopher Palmer | .... | music assistant: Carl Davis (uncredited) | |
Other crew | |||
| Barry Beckett | .... | location manager | |
| Kay Fenton | .... | continuity | |
| Kay Fenton | .... | script supervisor | |
| Mon Mohan | .... | title designer | |
| Mark Mostyn | .... | runner | |
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| The Stunt Man | Out of Africa | Mansfield Park | Sunset Blvd. | Match Point |
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This film is visually fascinating as well as dramatically satisfying. Every camera shot is breathtaking - this includes both stories.
The script is brilliant. I thoroughly enjoyed the post-modernist self-awareness - the blurred line between one reality and the other calls the entire experience into question. But I knew I was watching modern actors playing in a period piece and I was still caught up in the story, both stories - which mirror each other and make you wonder which character is influencing which performance. Irons gets to play two obsessive roles, something he seems to be really good at. Streep is enthralling and brings a third dimension to two enigmatic roles perfectly suited for her.