Melvin and Howard (1980)

User Rating:

7.0/10   

Director:

Jonathan Demme

Writer:

Bo Goldman (written by)

Release Date:

19 September 1980 (USA)

Genre:

Comedy | Drama

Tagline:

A true story?

Plot:

The story of hard-luck Melvin Dummar, who claimed to have received a will naming him an heir to the fortune of Howard Hughes.

Plot Keywords:

Motorcycle | Desert | Las Vegas Nevada | Child Custody | Utah

Awards:

Won 2 Oscars. Another 14 wins & 4 nominations

Cast

Jason Robards	...	Howard Hughes
Paul Le Mat	...	Melvin Dummar
Elizabeth Cheshire	...	Darcy Dummar
Mary Steenburgen	...	Lynda Dummar
Chip Taylor	...	Clark Taylor
Melvin E. Dummar	...	Bus Depot Counterman
Michael J. Pollard	...	Little Red
Denise Galik	...	Lucy
Gene Borkan	...	Go-Go Club Owner #1
Lesley Margret Burton	...	Go-Go Dancer
Wendy Lee Couch	...	Go-Go Dancer
Marguerite Baierski	...	Go-Go Dancer
Janice King	...	Go-Go Dancer
Deborah Ann Klein	...	Go-Go Dancer
Theodora Thomas	...	Go-Go Dancer

Runtime:

95 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Stereo

Certification:

Canada:14+ (Ontario) | Australia:M | Singapore:NC-16 | Finland:K-12 | USA:R | West Germany:12

Filming Locations:

Gabbs, Nevada, USA

Company:

Universal Pictures

Trivia:

Herbie Faye's final movie.

Goofs:

Continuity: While the men are in the truck talking, a sandwich being eaten has the bite area alternately changing from one side of the bread between shots.

Movie Connections:

Referenced in "Saturday Night Live: Glenn Close/Black Crowes (#18.9)" (1992)

Soundtrack:

My Kingdom for a Car

My brief review of the film

The most interesting parts of this film are the beginning and the end, because those are the parts in which Jason Robards plays a morose old man who may or may not be Howard Hughes. Robards' performance is very effective, and sadly it is under-used. The rest of the film concerns the life of Melvin, with very little to do with Howard, and Melvin is by far and away the lesser interesting character of the two. Nothing much happens during the main body of the film: all it shows is the unexciting life of one person. The soundtrack is often noisy, which makes it hard to hear what the characters are say, and Steenburgen goes over-the-top in a role that she very questionably won an Oscar for. Some have interpreted the film as some commentary or satire on American lifestyle and society, but I personally can find little evidence to support that theory, and therefore I only recommend this film to those who want to see one of Jason Robards' best performances.