IMDb > Shadows (1959)
Shadows
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Shadows (1959) -- Clip: House party with credits

Overview

User Rating:
7.4/10   2,585 votes
MOVIEmeter: ?
Down 17% in popularity this week. See why on IMDbPro.
Director:
Writer:
John Cassavetes (writer)
Contact:
View company contact information for Shadows on IMDbPro.
Release Date:
11 November 1959 (USA) more
Genre:
Plot:
Cassavetes' jazz-scored improvisational film explores interracial friendships and relationships in Beat-Era (1950s) New York City. full summary | add synopsis
Plot Keywords:
Awards:
Nominated for 3 BAFTA Film Awards. Another 2 wins & 1 nomination more
NewsDesk:
(5 articles)
The gutting of Miramax, Pt. II: Is this the end of New York movie culture?
 (From EW.com - The Movie Critics. 2 November 2009, 3:58 PM, PST)

Husbands and Wives
 (From IFC. 18 August 2009, 7:10 AM, PDT)

User Comments:
True Colors? more (25 total)

Cast

  (Cast overview, first billed only)
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Additional Details

Runtime:
81 min | UK:87 min | USA:87 min
Country:
Language:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Certification:
Finland:K-16 | Sweden:15 | UK:PG (re-rating) (1992) | UK:X (original rating) | USA:PG (1991)

Fun Stuff

Trivia:
Film critic Leonard Maltin describes "Shadows" as being "a watershed in the birth of American independent cinema". more
Quotes:
Tony: I need the key for 042!
David: You can't get it, Elaine's not in.
Rupert: Where is she?
David: She's dealing with the raccoons, man.
more
Movie Connections:
References Man or Gun (1958) more
Soundtrack:
Beautiful more

FAQ

This FAQ is empty. Add the first question.
19 out of 34 people found the following comment useful.
True Colors?, 8 December 2001
Author: mr lady from san francisco, ca

Like all Cassavetes, Shadows makes every movie in recent memory seem irrelevant to your life and how to live it. The theme of 1959's Shadows centers around race and its effects on relations between men and women. As in life, this falls a distant second to the theme of the pervasive and exhausting need for love. Shadows is often billed as the story of a 'black woman who passes as white.' Cassavetes' film illustrates how these stark delineations between races harms those who exist in the shadows in-between. Lelia is a light-skinned part-African woman in New York who falls for an infantile racist white man. When Lelia's boyfriend meets her darker brother Hugh, her lover's true colors are revealed. Hugh is a dignified and caring protector who refuses to let racism erode his positive nature, though he faces blatant economic persecution in his work. Lelia's second brother, a charismatic jazz musician played by the beautiful Benito Carruthers, is also light-skinned. We painfully watch as his displacement in both 'white' and 'black' social groups gives rise to self-loathing and isolation. Ben wandering New York alone, hiding behind a series of dark sunglasses, is an enduring image from the film. One crushing scene shows Ben promising Lelia's lover that he will convey the sickly reasoning behind the rejection to his sister. Ben's palpable pain is relevant to people of every 'shade.' The dismissal of the possibility of love, based solely on race or other peripheral facts, is tragic across the whole spectrum of social relationships.

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