Vertigo (1958)

User Rating:

8.6/10   

Director:

Alfred Hitchcock

Writers:

Alec Coppel (screenplay) &
Samuel A. Taylor (screenplay) ...

Release Date:

21 July 1958 (Brazil)

Genre:

Crime | Mystery | Romance | Thriller

Tagline:

A Hitchcock thriller. You should see it from the beginning!

Plot:

A San Francisco detective suffering from acrophobia investigates the strange activities of an old friend's wife, all the while becoming dangerously obsessed with her.

Plot Keywords:

Acrophobia | Shipbuilder | Police | Suicide | Unrequited Love

Awards:

Nominated for 2 Oscars. Another 6 wins & 2 nominations

Cast

James Stewart	...	John 'Scottie' Ferguson
Kim Novak	...	Madeleine Elster / Judy Barton
Barbara Bel Geddes	...	Midge Wood
Tom Helmore	...	Gavin Elster
Henry Jones	...	Coroner
Raymond Bailey	...	Scottie's Doctor
Ellen Corby	...	Manager of McKittrick Hotel
Konstantin Shayne	...	Pop Leibel
Lee Patrick	...	Car Owner Mistaken for Madeleine

Also Known As:

'Vertigo' (USA) (poster title)
Alfred Hitchcock's Vertigo (USA) (complete title)
Darkling I Listen (USA) (working title)
Fear and Trembling (USA) (working title)
From Among the Dead (USA) (working title)
Illicit Darkening (USA) (working title)

Runtime:

128 min | USA:129 min (1996 restored version)

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.50 : 1

Sound Mix:

DTS 70 mm (1996 re-release) (70 mm prints) | DTS (1996 re-release) (35 mm prints) | Dolby Digital (1996 re-release) (35 mm prints) | Mono (Westrex Recording System)

Certification:

USA:Approved (PCA #18867) | USA:PG (re-rating) (1983) (certificate no. 27072) | Canada:14 (Nova Scotia) (re-rating) (1997) | Canada:G (Nova Scotia) (original rating) (1983) | Spain:T | Canada:PG (Manitoba/Ontario) | Brazil:14 | Netherlands:12 | Iceland:12 (1984) | Argentina:13 | Australia:PG | Finland:K-12/9 (1995) | Finland:K-12/9 (1997) | Finland:K-16 (1958) | France:U | Norway:11 (re-rating) (1997) | Norway:16 (original rating) | Portugal:M/12 | Sweden:15 | UK:A (original rating) | UK:PG (video rating) (1988) | West Germany:12 | Canada:13+ (Quebec)

Filming Locations:

900 Lombard Street, San Francisco, California, USA

Company:

Alfred J. Hitchcock Productions

Trivia:

Alfred Hitchcock had originally wanted to use his now-famous Vertigo zoom in Rebecca (1940), but due to lack of technology at that time he couldn't do it. The technique was inspired by a time when Hitchcock had fainted during a party.

Goofs:

Continuity: As Judy packs to run away, the breast sections on Madeleine's gray suit in her closet are popped out in one shot and pushed in in another.

Quotes:

[first lines]
Officer on rooftop: Give me your hand. Give me your hand.

Movie Connections:

Referenced in Unrequited Love (2006)

Soundtrack:

Symphony No. 34 in C K. 338, 2nd Movement, Andante di Molto (piu tosto allegretto)

A Standard Rave

Starting in 1958, Alfred Hitchcock directed a remarkable sequence of films in a row, each of them a classic; Vertigo (1958), North by Northwest (1959), Psycho (1960) and The Birds (1963). Never has a director made four such genuinely great movies in such a short space of time, either before or since.

The pick of this high standard bunch is undoubtedly Vertigo. From the opening titles, with their circling spiral imagery, to the dramatic final scene this is a movie that takes you to a different time and place. Specifically, to a San Francisco of the past; full of deserted parks, discrete rooming houses, oddly menacing art galleries and florists where the customers enter and exit through the back door. Through this landscape wanders Jimmy Stewart, towering in the lead roll as a former detective recently retired after a bungled arrest leaves him with chronic vertigo. Plot machinations lead him to the alluring Kim Novak (one of Hitchcock's famous "blondes"), the young wife of a friend who has started behaving rather oddly.

"To reveal more," as Leonard Maltin wrote, "would be unthinkable."

While the performances of Novak and Stewart are memorable, the movie is really set apart by the intelligent script and the stylistic touches provided by the director. Hitchcock is in his very best form creating hypnotic scenes and a general sense of unease and dread in even the most banal of situations. He is aided in this by the wonderful score of Bernard Herrman. A particular favourite of mine is the extended (largely silent) segment where Stewart follows Novak for the first time. Nothing much happens, but the atmosphere of these scenes is enough to keep you on the edge of your seat!

One of the all-time greats. They definitely don't make them like this anymore.