Gone with the Wind (1939)

User Rating:

8.2/10   

Director:

Victor Fleming

Writers:

Margaret Mitchell (novel)
Sidney Howard (screenplay)

Release Date:

17 January 1941 (USA)

Genre:

Drama | Romance | War

Tagline:

Now in 70mm. wide screen and full stereophonic sound! [reissue]

Plot:

American classic in which a manipulative woman and a roguish man carry on a turbulent love affair in the American south during the Civil War and Reconstruction.

Plot Keywords:

Love | Civil War | Poverty | Reconstruction | Epic

Awards:

Won 8 Oscars. Another 6 wins & 5 nominations

Cast

Thomas Mitchell	...	Gerald O'Hara
Barbara O'Neil	...	Ellen - His Wife (as Barbara O'Neill)
Vivien Leigh	...	Scarlett - Their Daughter
Evelyn Keyes	...	Suellen - Their Daughter
Ann Rutherford	...	Carreen - Their Daughter
George Reeves	...	Brent Tarleton - Scarlett's Beau
Fred Crane	...	Stuart Tarleton - Scarlett's Beau
Hattie McDaniel	...	Mammy - House Servant
Oscar Polk	...	Pork - House Servant
Butterfly McQueen	...	Prissy - House Servant
Victor Jory	...	Jonas Wilkerson - Field Overseer
Everett Brown	...	Big Sam - Field Foreman
Howard C. Hickman	...	John Wilkes (as Howard Hickman)
Alicia Rhett	...	India - His Daughter
Leslie Howard	...	Ashley - His Son

Runtime:

USA:238 min (restored DVD version) | Sweden:223 min (1969 re-release) | Sweden:234 min (1985 re-release) | UK:224 min (1994 re-release) | UK:233 min (1989 re-release) | 226 min (copyright length)

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Sound System)

Certification:

Iceland:L | Portugal:M/12 | Finland:K-11 (2004) | Brazil:Livre | West Germany:12 (f) | Argentina:Atp | Australia:PG | Belgium:KT | Canada:G (British Columbia/Nova Scotia/Québec) | Canada:PG (Manitoba/Ontario) | Chile:TE | Finland:K-16 | Germany:12 (DVD rating) | Netherlands:AL | New Zealand:PG | Norway:16 | Peru:PT | South Korea:12 | Sweden:11 (re-release) (1985) | Sweden:15 (original rating) | UK:A (original rating) | UK:PG (video rating) | USA:Approved (PCA #5729) (original rating) | USA:G (re-rating) (1971)

Filming Locations:

Agoura Hills, California, USA

Company:

Selznick International Pictures

Trivia:

David O. Selznick, in a memo from October 1939, about the movie's writing credits: " [Y]ou can say frankly that of the comparatively small amount of material in the picture which is not from the book, most is my own personally, and the only original lines of dialog which are not my own are a few from Sidney Howard and a few from Ben Hecht and a couple more from John Van Druten. Offhand I doubt that there are ten original words of [Oliver] Garrett's in the whole script. As to construction, this is about eighty per cent my own, and the rest divided between Jo Swerling and Sidney Howard, with Hecht having contributed materially to the construction of one sequence."

Goofs:

Boom mic visible: Shadow on the right hand white door when Scarlett leaves the makeshift hospital.

Quotes:

[first lines]
Brent Tarleton: What do we care if we *were* expelled from college, Scarlett? The war is gonna start any day now, so we'd have left college anyhow.
Stuart Tarleton: Oh, isn't it exciting, Scarlett? You know those fool Yanks may actually *want* a war?
Brent Tarleton: We'll show 'em!
Scarlett: Fiddle-dee-dee. War, war, war; this war talk's spoiling all the fun at every party this spring. I get so bored I could scream. Besides... there isn't going to be any war.
Brent Tarleton: Not going to be any war?
Stuart Tarleton: Why, honey, of course there's gonna be a war.
Scarlett: If either of you boys says "war" just once again, I'll go in the house and slam the door.
Brent Tarleton: But Scarlett...
Stuart Tarleton: Don't you *want* us to have a war?
[...]

Movie Connections:

Referenced in "According to Jim: The Chaperone (#7.14)" (2008)

Soundtrack:

The Bonnie Blue Flag

Georgia on my mind

This film shows the best of the American cinema. Whether we like the film, or not, one has to recognize the greatest achievement, perhaps, of the creative talent of the people working in the movie industry. "Gone with the Wind" represents a monumental leap, as well as a departure, for the movies, as they were done prior to this film.

The vision of David O. Selznick, the power behind bringing Margaret Mitchell's massive account about the South, before and after the Civil War, pays handsomely with the film that Victor Fleming directed. This movie will live forever because it reminds us of how this great nation came into being, despite the different opinions from the two stubborn factions in the war.

"Gone with the Wind" brought together the best people in Hollywood. The end result is the stunning film that for about four hours keep us interested in the story unfolding in the screen. Of course, credit must be due to the director, Victor Fleming, and his vision, as well as the adaptation by Sydney Howard, who gave the right tone to the film. The gorgeous cinematography created by Ernest Haller gives us a vision of the gentle South before the war, and the Phoenix raising from the ashes of a burned Atlanta. The music of Max Steiner puts the right touch behind all that is seen in the movie.

One can't conceive another Scarlett O'Hara played by no one, but Vivien Leigh. Her beauty, her sense of timing, her intelligent approach to this role, makes this a hallmark performance. Ms. Leigh was at the best moment of her distinguished career and it shows. Scarlett goes from riches to rags, back to riches again and in the process finds an inner strength she didn't know she possessed. Her impossible love for Ashley will consume her and will keep her away from returning the love to the man that really loves her, Rhett.

The same thing applies to the Rhett Butler of Clark Gable. No one else comes to mind for playing him with the passion he projects throughout the movie. This is a man's man. Captain Butler was torn between his loyalty to the cause of the South and his sense of decency. His love for Scarlett, the woman he knows is in love with a dream, speaks eloquently for itself.

The other two principals, Olivia de Havilland and Leslie Howard, give performances that are amazing to watch. Ms. de Havilland's Melanie Hamilton is perfect. Melanie is loyal to the woman that does everything to undermine her marriage to Ashley. Mr. Howard's Ashley gives a perfect balance to the man in love with his wife, while Scarlett keeps tempting him.

The rest of the cast is too numerous to make justice to all the actors one sees on the screen, but omitting the contribution of Hattie McDaniel to the film would be sinful. Ms. McDaniel was such a natural actress that she is excellent no matter in what movie she is playing. This huge talent is a joy to watch.

Comments to this forum express their objections to the way the race relations play in the movie, but being realistic, this movie speaks about the not too distant past where all kinds of atrocities, such as the slavery, were the norm of the land. While those things are repugnant to acknowledge, in the film, they are kept at a minimum. After all, this film is based on a book by one of the daughters of that South, Margaret Mitchell, who is presenting the story as she saw it in her mind, no doubt told to her from relatives that lived in that period of a horrible page in the American history.

Enjoy this monumental classic in all its splendor.