1-20 of 71 articles from 2009 « Prev | Next »
3 December 2009 11:57 AM, PST | ifc.com | See recent IFC news »
In 1989, Spike Lee picked up a trashcan and hurled it into the front window of Sal's Pizzeria, stirring chaos in Bed-Stuy and sending movie audiences into a tizzy about race relations in America. That same year, Oliver Stone and Brian De Palma were reopening heated debates about Vietnam ("Born on the Fourth of July," "Casualties of War"), while Steven Soderbergh and Peter Greenaway were making us squirm by challenging conventional moral codes ("sex, lies and videotape," "The Cook, the Thief, His Wife & Her Lover"). Jump ahead 20 years: today's watercooler cinema holds nary an ounce of subversive content. On the contrary, the most talked-about upscale American films of the year uphold such conservative myths as the sanctity of family and community.
Much has already been written about the reactionary elements of Lee Daniels' "Precious: Based on the Novel 'Push' by Sapphire," which, despite its confrontational scenes of rape, »
- Anthony Kaufman
2 December 2009 7:58 PM, PST | FilmExperience | See recent FilmExperience news »
As with 2000 and 2001, I'm reprinting my original top ten lists and commentary. If I've got something new to say, it'll be in red below.
Please note: This list was based on NYC release dates in the year 2002. Some movies are listed as different years at the IMDb based on when they were produced or released in their home country or in La or whatnot.
Undervalued: Morvern Callar, Roger Dodger, About a Boy, White Oleander, Panic Room and Kissing Jessica Stein Top 10 Runners Up: Chicago, Monsoon Wedding, Punch Drunk Love and Spirited Away I still am glad I championed most of these movies though I am sad that some of them aren't in the top ten... particularly Morvern, Monsoon and the Miyazaki. The MMMs. Though I'm not sure I'd know what to remove to make room for them.
10. 8 Women (François Ozon)
Ever since I a French teacher took my friends and »
- NATHANIEL R
30 November 2009 1:32 AM, PST | ioncinema | See recent ioncinema news »
Hardcore fans of The Clash might not like the sound of this: there's a potential biopic of the band in the works. The good news is that it takes a punk attitude to make a faithful biopic of a punk band and its Christine Vachon's Killer Films who are brewing up a biopic of some kind. - Hardcore fans of The Clash might not like the sound of this: there's a potential biopic of the band in the works. The good news is that it takes a punk attitude to make a faithful biopic of a punk band and its Christine Vachon's Killer Films who are brewing up a biopic of some kind. With Todd Haynes currently working on his first television project Mildred Pierce (he'd be my go to director for anything related to music) I wonder which director Vachon has in mind for the project? »
- Ioncinema.com Staff
30 November 2009 1:32 AM, PST | ioncinema | See recent ioncinema news »
Who knew that (in 2010) I'd be psyched for a pair of mini-series. I'm looking forward in seeing Todd Haynes adapt Mildred Pierce, but before that, we'll collectively be looking for Olivier Assayas’ Carlos - which I imagine should hit the tube in France and then hit the U.S., first presented as a 3-part mini series on the Sundance Channel, and then as a theatrical release in the fall via IFC. - Who knew that (in 2010) I'd be psyched for a pair of mini-series. I'm looking forward in seeing Todd Haynes adapt Mildred Pierce, but before that, we'll collectively be looking for Olivier Assayas’ Carlos - which I imagine should hit the tube in France and then hit the U.S., first presented as a 3-part mini series on the Sundance Channel, and then as a theatrical release in the fall via IFC. Co-written by Olivier Assayas and Dan Franck, »
- Ioncinema.com Staff
30 November 2009 1:32 AM, PST | ioncinema | See recent ioncinema news »
I'm wouldn't necessarily call her the Parker Posey indie girl of today, but since Steven Soderbergh's Solaris and Todd Haynes' Far From Heaven, Viola Davis is taking on more supporting cast pinch hitter in independent films. - I'm wouldn't necessarily call her the Parker Posey indie girl of today, but since Steven Soderbergh's Solaris and Todd Haynes' Far From Heaven, Viola Davis is taking on more supporting cast pinch hitter in independent films. The actress who essentially got her start in film with bit roles in Soderbergh's Out of Sight and Traffic, has just signed up for a pair of indie films. Davis will be featured in Ryan Fleck's adaptation of Ned Vizzini's It's Kind of a Funny Thing for Focus Features. The story is described as a young-adult One Flew Over the Cuckoo's Nest and centers on a clinically depressed 15-year-old who checks »
- Ioncinema.com Staff
30 November 2009 1:32 AM, PST | ioncinema | See recent ioncinema news »
Kelly Reichardt is in Oregon currently shooting a period pic that has her re-teaming with Wendy and Lucy's Michelle Williams, and has the filmmaker working with her biggest cast yet additionally working with Dano, Bruce Greenwood (probably suggested by Todd Haynes), Shirley Henderson and Zoe Kazan. - I love how Variety makes a casual, end-of-article mention that is all alarm bells and whistles for us. In a Paul Dano casting update for the James Mangold project, comes word that Kelly Reichardt is in Oregon currently shooting a period pic that has her re-teaming with Wendy and Lucy's Michelle Williams, and has the filmmaker working with her biggest cast yet additionally working with Dano, Bruce Greenwood (probably suggested by Todd Haynes), Shirley Henderson and Zoe Kazan. We reported that the filmmaker was fleshing out a Western-themed project, so it looks like she'll be well-prepared for working in difficult terrain. »
- Ioncinema.com Staff
30 November 2009 1:32 AM, PST | ioncinema | See recent ioncinema news »
Producer Mark Gordon wanted me to direct the film and, quite frankly, I didn't jump at it. Not because I didn't want to direct, quite the opposite, I was on my way to directing another film, but because I didn't think I was experienced enough to take it on. - [Editor's Note: This was originally published during the 25th edition of the Sundance Film Festival.] Eric Lavallee: Originally, there were a couple of directors attach to direct this film – what finally propelled you to step out of the shadows and make a run at it yourself?Om: I was brought out of the shadows. Producer Mark Gordon wanted me to direct the film and, quite frankly, I didn't jump at it. Not because I didn’t want to direct, quite the opposite, I was on my way to directing another film, but because I didn’t think I was experienced enough to take it on. We had Sydney Pollack, »
- Ioncinema.com Staff
15 November 2009 9:20 PM, PST | AfterElton.com | See recent AfterElton.com news »
Have a question about gay male entertainment? Send it to aftereltonflyingmonkey@yahoo.com! (Please include your city and state and/or country.)
Q: I'm curious about Project Runway's Christopher Straub. The ring he wears suggests he has a husband / partner / significant other. What details might you know on this? Every time Heidi had him in tears, I found myself strongly torn between wanting to give him a hug and going all Cher on him. – LgH, Houston, TX, Usw, Earth
A: “I am married!” Straub tells the Flying Monkey. “Well, not legally, but Ronnie and I had a commitment ceremony two-and-a-half years ago. We've been together for over five years. He's a little scientist, and we really don't understand what each other does for a living.”
I asked what the two of them do for fun. “We like to travel, watch TV – I like reality shows and he »
- Brent Hartinger
13 November 2009 3:04 PM, PST | Gold Derby | See recent Gold Derby news »
• Tony-winning composer Maury Yeston talked in great detail to Harry Haun about the journey of "Nine" from screen (as "8 1/2") to stage and back to screen. "There are only two ways to approach Broadway shows becoming movies," Yeston says. "One of them is to be an over-controlling fuddy-duddy and not let anybody change anything. The other is to step back and go with the new medium." For Yeston, "The adaptation back into film was a very organic one that made a tremendous amount of sense. It was a great opportunity to allow this piece -- which had been so cinematic to begin with -- to find again its place in the grammar of cinema. That means things like dissolves, edits, close-ups, lighting effects -- things film can do for exposition to get inside the mind." Playbill
• Steve Pond delivers more scoop on Saturday's inaugural Governors Awards at Hollywood and Highland's Grand »
- tomoneil
4 November 2009 10:00 PM, PST | avclub.com | See recent The AV Club news »
Last Night In Twisted River is the I’m Not There of John Irving novels. Like Todd Haynes’ attempts to turn Bob Dylan into a figure of myth in that film, Irving playfully invents a story that’s as much about the pleasures of reading one of his novels as it is anything else, until it poignantly turns into a paean for a dying art and a plea for the idea of the story. This could all seem self-indulgent. Instead, it’s Irving’s best since the ’80s. As a novelist, Irving simultaneously seems to invite questions of how much ... »
2 November 2009 1:18 PM, PST | Makingof.com | See recent Makingof.com news »
New York, NY (November 1, 2009)- Sony Pictures Classics announces its acquisition of United States’ rights to Rodrigo García’s Mother And Child from Wme Global. The film debuted at the 2009 Toronto International Film Festival as a Gala Presentation, where it was actively pursued by several Us distributors.
Mother And Child is the moving tale about the choices we make, the chances we miss, the opportunities we seize and the power of the unbreakable bond between a mother and her child.
The film was written and directed by Rodrigo García (Things You Can Tell Just By Looking At Her and Nine Lives) and produced by Lisa Maria Falcone through her Everest Entertainment and Julie Lynn via her Mockingbird Pictures. The films’ director of photography is Xavier Grobet (City Of Ember, The Woodsman, Nacho Libre,) Steven Weisberg edited (Harry Potter And The Prisoner Of Azkaban, Permanent Midnight), with music by Ed Shearmur (Wings Of The Dove, »
27 October 2009 10:11 AM, PDT | ifc.com | See recent IFC news »
When you sit down to a horror film, you know, at least on a basic level, what you're getting into. Whether or not the movie delivers, what you've been promised, and what you're braced for or looking forward to, are scares. Which is why, when we look back on those truly traumatic movie memories, the titles that come to mind often are not horror films at all.
The most frightening movie moments can arrive out of nowhere, in the midst of where they shouldn't belong, catching you when you're vulnerable -- which is why there are a few alleged children's films on this list. But they can also creep up on you, working a different kind of dread, which is where some of the documentaries included below fit in. Fear is a funny thing. It comes in different varieties, it can work its way on you in unanticipated, and, as our collection here proves, »
- Alison Willmore
26 October 2009 5:33 AM, PDT | The Movie Fanatic | See recent The Movie Fanatic news »
The Messenger revolves around a U S Army officer assigned to casualty notification, considered one of the least desirable jobs in the military. The officer faces complex moral choices when he becomes involved with a soldier's widow. Ben Foster, who has terrific in 3:10 to Yuma and 30 Days of Night plays the lead role in this film.
- - -
- - - In his most powerful performance to date, Ben Foster stars as Will Montgomery, a U.S. Army officer who has just returned home from a tour in Iraq and is assigned to the Army's Casualty Notification service. Partnered with fellow officer Tony Stone (Woody Harrelson) to bear the bad news to the loved ones of fallen soldiers, Will faces the challenge of completing his mission while seeking to find comfort and healing back on the home front. When he finds himself drawn to Olivia (Samantha Morton), to »
- modelwatcher@gmail.com (Jed Medina)
26 October 2009 5:33 AM, PDT | The Movie Fanatic | See recent The Movie Fanatic news »
The Messenger revolves around a U S Army officer assigned to casualty notification, considered one of the least desirable jobs in the military. The officer faces complex moral choices when he becomes involved with a soldier's widow. Ben Foster, who has terrific in 3:10 to Yuma and 30 Days of Night plays the lead role in this film.
- - -
- - - In his most powerful performance to date, Ben Foster stars as Will Montgomery, a U.S. Army officer who has just returned home from a tour in Iraq and is assigned to the Army's Casualty Notification service. Partnered with fellow officer Tony Stone (Woody Harrelson) to bear the bad news to the loved ones of fallen soldiers, Will faces the challenge of completing his mission while seeking to find comfort and healing back on the home front. When he finds himself drawn to Olivia (Samantha Morton), to »
- modelwatcher@gmail.com (Jed Medina)
26 October 2009 5:33 AM, PDT | The Movie Fanatic | See recent The Movie Fanatic news »
The Messenger revolves around a U S Army officer assigned to casualty notification, considered one of the least desirable jobs in the military. The officer faces complex moral choices when he becomes involved with a soldier's widow. Ben Foster, who has terrific in 3:10 to Yuma and 30 Days of Night plays the lead role in this film.
- - -
- - - In his most powerful performance to date, Ben Foster stars as Will Montgomery, a U.S. Army officer who has just returned home from a tour in Iraq and is assigned to the Army's Casualty Notification service. Partnered with fellow officer Tony Stone (Woody Harrelson) to bear the bad news to the loved ones of fallen soldiers, Will faces the challenge of completing his mission while seeking to find comfort and healing back on the home front. When he finds himself drawn to Olivia (Samantha Morton), to »
- modelwatcher@gmail.com (Jed Medina)
8 October 2009 7:30 PM, PDT | GreenCine Daily | See recent GreenCine Daily news »
Is Welcome to the Dollhouse auteur Todd Solondz a misanthrope, or a humanist whose characters just happen to engage in ugly, perverse, cruel behavior? For me, the answer has been made clear with Life During Wartime (screening Saturday, Oct. 10 at 9pm), Solondz's quasi-sequel to 1998's Happiness, in which all of the characters are now played by different actors: Todd Solondz starts his latest and finest film to date by introducing us to Joy (Shirley Henderson), whose husband Allen (Michael Kenneth Williams) is not quite cured of his peculiar "affliction." Joy's sister Trish (Allison Janney) is hoping to stabilize her family life by marrying the recently divorced Harvey (Michael Lerner), but her soon-to-be bar-mitzvahed son Timmy (Dylan Riley Snyder) isn’t sure he wants another man in the house—especially as it seems his dead father, Bill (Ciarán Hinds), might not be dead after all. His portrait of these and several »
8 October 2009 9:12 AM, PDT | FilmJunk | See recent FilmJunk news »
With all the critical acclaim and Oscar buzz surrounding Kathryn Bigelow's The Hurt Locker, it begs the question: are audiences finally ready to embrace movies about the war in Iraq? Oren Moverman's The Messenger looks like the next movie to put that theory to the test, but unlike The Hurt Locker, it's another intimate drama that deals more with the people back home than the soldiers in the line of fire. The movie stars Woody Harrelson and Ben Foster as two officers who work for the Casualty Notification Office in the U.S. military (ie. the people who notify the next of kin when someone is killed in action). When one of them becomes romantically involved with a fallen soldier's widow (Samantha Morton), things get... complicated. This is Moverman's directorial debut, but one of his previous credits was co-writer for Todd Haynes' I'm Not There. I can't »
- Sean
7 October 2009 2:18 AM, PDT | Rope of Silicon | See recent Rope Of Silicon news »
Top Ten Working American Directors
A list like this is tricky to the point of madness. However, I'm going to save you the trouble by saying it right here, right now: Most of the choices on this list are obvious. There's a reason why certain names continually pop up whenever conversation drifts toward great American films. So there. I said it.
Yet, how do you weigh the likes of Francis Ford Coppola, a genius who delivered some of the all-time greatest films, but fizzled out 25 or so years ago, against a filmmaker like Woody Allen who has worked consistently for decades churning out both brilliant gems and disposable time wasters? How do you compare either of these directors against an auteur such as Spike Jonze who has only opened two films so far, but both are masterpieces?
In the end I just went with my gut. I knew there were »
- David Frank
6 October 2009 4:01 PM, PDT | cinemablend.com | See recent Cinema Blend news »
Last night I attended a special screening of The Messenger, a very small, very powerful drama about two soldiers (played by Ben Foster and Woody Harrelson) assigned to one of the worst jobs in the Army-- notifying the next of kin when soldiers have been killed in action. Foster plays Will Montgomery, recently injured in Iraq and serving out his last three months of duty while reeling after his ex (Jena Malone) suddenly gets engaged to someone else. Harrelson plays Tony Stone, a seasoned pro at notifications who helps Will open up while also revisiting some old wounds from his own time in the service. The film is directed by Oren Moverman, who also co-wrote with Todd Haynes the screenplay for I'm Not There. It's a nicely made, really affecting movie, and will be coming to theaters starting in limited release in November. Take a look at the movie's trailer »
5 October 2009 6:55 AM, PDT | ifc.com | See recent IFC news »
Last week, America's indie film community took a long, hard look at its precarious state.
After industry pros flew back home from the Toronto International Film Festival -- heads throbbing from too many drinks, not enough sleep and the lackluster marketplace, where few films were bought and sold -- many headed straight to the Ifp's annual Independent Film Week and Conference, a 31-year-old event where people like Jim Jarmusch, the Coen brothers, Michael Moore, Whit Stillman, Todd Haynes and Todd Solondz first stepped through the industry's door. Capping off the run of whining and redefining was an "Indie Film Summit," a meeting of some 60 significant distributors, producers and other insiders at the Museum of Modern Art, all looking for answers in these tumultuous times, when economic and technological changes have irrevocably shattered the conventional models of making and distributing movies.
For first-time filmmakers entering the business during this moment of upheaval, »
- Anthony Kaufman
1-20 of 71 articles from 2009 « Prev | Next »
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