Biography for
Scott Glenn More at IMDbPro »

Date of Birth

26 January 1941, Pittsburgh, Pennsylvania, USA

Birth Name

Theodore Scott Glenn

Height

6' (1.83 m)

Mini Biography

Scott Glenn was born January, 26, 1941, in Pittsburgh, Pennsylvania. As he grew up in Appalachia, his health was poor; he was bedridden for a year and doctors predicted he would limp for the rest of his life. During long periods of illness, Glenn was reading a lot and "dreaming of becoming Lord Byron." He challenged his illness by intense training programs and eventually got rid of his limp.

Glenn entered William and Mary College where he majored in English. He spent three years in the Marines and then tried to combine his passion for storytelling with his passion for adventures by working for five months as a criminal reporter at the Kenosha Evening News. Glenn planned to become an author but found out he had "problems with dialogs," so he decided to overcome it by studying acting. In 1966, he headed to New York where he joined George Morrison acting class. He helped in directing student plays to pay for his studies and appeared onstage in La MaMa Experimental Theatre Club productions. Soon after arriving to New York, Glenn became a fan of martial arts. In 1968 he joined The Actors Studio and began working in professional theater and TV. In 1970 James Bridges offered him his first movie work in The Baby Maker (1970).

Glenn left for L.A., where he spent seven of the "most miserable years of [his] life." He couldn't find interesting film roles and, doing brief TV stints, he felt "like a person who had to paint the Sistine Chapel with a house-painter's brush." On a brighter side, he worked episodically with Jonathan Demme (Angels Hard as They Come (1971), Fighting Mad (1976)), Robert Altman (Nashville (1975)) and Francis Ford Coppola (Apocalypse Now (1979)). In 1978 Glenn got tired of Hollywood and moved his family to Ketchum, Idaho, where he worked as a barman, huntsman and mountain ranger for two years (occasionally acting in Seattle stage productions). James Bridges once more changed the course of Glenn's life in 1980 when he offered him the role of John Travolta's rival in Urban Cowboy (1980) and made him a star. Glenn's acting abilities and physical presence helped him to excel both in action (Silverado (1985), The Challenge (1982)) and drama (The Right Stuff (1983), Countdown to Looking Glass (1984) (TV), The River (1984)) as he alternately played good guys and bad guys.

In the beginning of the '90s his career was at its peak - he appeared in such indisputable masterpieces as The Silence of the Lambs (1991), and The Hunt for Red October (1990). Later he gravitated toward more kinky stuff, such as the black Freudian farce _Reckless (1995/I)_, the tragicomedy Edie & Pen (1996) and Ken Loach's socio-political declaration Carla's Song (1996). Today Glenn alternates mainstream (Courage Under Fire (1996), Absolute Power (1997)) with independent projects (Lesser Prophets (1997) and Larga distancia (1998), written by his daughter Dakota Glenn) and TV (Naked City: A Killer Christmas (1998) (TV)).

IMDb Mini Biography By: Helene Telingater

Spouse

Carol Schwartz

(10 September 1968 - present) 2 children

Trivia

Rode along with the Chicago Fire Dept.'s Squad 5 in preperation for his role in Backdraft (1991).

Has a small part in Apocalypse Now (1979). The lead role was originally given to Harvey Keitel, who went on to succeed Glenn in the role of Jack Crawford in the The Silence of the Lambs (1991) prequel, Red Dragon (2002).

Was a close friend of Toshirô Mifune.

Is one of three actors to play Jack Crawford in the Hannibal Lecter films. He played the role in The Silence of the Lambs (1991), while Dennis Farina played the role in Manhunter (1986), and Harvey Keitel played the role in Red Dragon (2002).

Served in the United States Marine Corps in the early 1960s.

Despite being left-handed, he was so dedicated to playing right-handed astronaut Alan Shepard in The Right Stuff (1983), that he used his right hand for writing and other important actions on-screen.

Shares the role of astronaut Alan Shepard with his The Silence of the Lambs (1991) cast mate Ted Levine.

His The Silence of the Lambs (1991) character, Jack Crawford, was written out of the adaptation of the sequel, Hannibal (2001). Nevertheless, he was able to work with Clarice Starling later that year by appearing in The Shipping News (2001) with Julianne Moore.

Portrayed an ex-CIA agent in Man on Fire (1987). Denzel Washington portrayed an ex-CIA agent on the remake of Man on Fire (2004). Both actors appeared in Training Day (2001).

Appears in Puerto Vallarta Squeeze (2004) opposite Harvey Keitel, with whom he shares the role of Jack Crawford in the Hannibal Lecter series.

Did 2,000 push-ups (at one time) on the set of Urban Cowboy (1980).

Received a BA in English at William & Mary College.

Son of Elizabeth and Theodore Glenn.

Brother of Bonnie Glenn and Terry Glenn.

Father, with Carol, of two girls named Dakota Ann Glenn, a writer, and Rio Elizabeth Glenn, an actress.

In preparation for the filming of Backdraft, he rode along with the firemen in the Chicago area and was injured when exposed to active fire.

As a former Marine, he is the only actor playing a member of the Bush administration in W. (2008/I) who has actual military experience (in addition to the director Oliver Stone).

Typically does his own thorough research for his roles, not trusting advisers or coaches.

Was considered for the role of Sam Bowden in Cape Fear (1991).

Once an opponent of the death penalty, he converted to supporting it after briefly listening to an audio tape of the torture and murder of two teenage girls while preparing for his role in The Silence of the Lambs (1991).

Personal Quotes

"Essentially what actors do is put colors on a palette for directors to paint with."

"There are many different reasons why people take parts. For me, there are basically two: one is economic -- you have to keep working, pay the rent; that's a given. The other one, for me, usually has nothing to do with the overall film - whether the script is good, whom I'm working with, whether it's going to get good reviews -- it's just the part, the character. Is this somebody whose shoes I want to live in for four months? If I don't instinctively answer 'yes' to that question, I shouldn't be doing the movie."

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